Terrific storytelling that won’t win Robotham many friends in the Lone Star State.
Australian novelist Robotham travels to Texas for this prison-break tale with a twist.
Audie Palmer, who admitted his involvement in the infamous Dreyfus County, Texas, armored security truck robbery, escaped from prison with only one day remaining on his sentence. Audie pleaded guilty to helping steal $7 million—money that’s never been recovered. But why did he disappear the day before his parole was to begin? That’s the question on the minds of everyone, from diminutive FBI Special Agent Desiree Furness to his best prison buddy, Moss. Soon after Audie runs, everyone involved in his case, from the former prosecutor to a deputy who is now the sheriff, is pulling out the stops to find him, and it’s obvious they'd prefer him dead rather than alive. Robotham generously shares information about the villains with readers, so there’s little suspense there. However, the back story, skillfully interwoven with the search for Audie, provides plenty of edge-of-the-seat excitement, forcing readers to frantically turn the pages to find out how all these different strands intersect. Robotham’s skill as a writer remains undeniable: He offers memorable characters caught up in an irresistible story. But the Aussie writer’s choice of Texas as his setting is bound to ruffle some feathers since he portrays the state as uniformly and relentlessly corrupt, its citizens as the dregs of society. “Texas only executes people on death row, not when they’re brain-dead because it might mean culling most of their politicians,” reads one passage. And while the writing is top-notch, albeit inflammatory in places, the finished product is also puzzling in that the novelist and his editorial team populated the book with many British expressions foreign to the setting, from calling a woman’s bangs a “fringe” to terming a flophouse a “doss house” to having a very Southern character refer to lines in a bank as “queues.”
Terrific storytelling that won’t win Robotham many friends in the Lone Star State.Pub Date: March 10, 2015
ISBN: 978-0-316-25205-8
Page Count: 432
Publisher: Mulholland Books/Little, Brown
Review Posted Online: Dec. 7, 2014
Kirkus Reviews Issue: Jan. 1, 2015
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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