A delightfully informative book about letters, their meanings, and the words and meanings we derive from them.
A poet, writer of children’s books and host of BBC Radio 4’s Word of Mouth tells the history of each letter in our alphabet.
Rosen (Fighters for Life: Selected Poems, 2007, etc.) shows a capacious curiosity and imagination in a work that, in lesser hands, would glaze the eyes of all but the most nerdy language freaks. He proceeds alphabetically (duh) but also in a sort of defiantly digressive way. For each letter, the author provides—in sort of dictionary fashion—some of its history, evolution, pronunciation(s) and, for many, some “sound play” involving the letter. Regarding N, for instance, Rosen mentions “ninny,” “no-no” and “nanny” (among others). These initial pages for each letter are informative and good for reference, but the remainder of each section is even better. For example, for C, he discusses ciphers, the Enigma code and even Francis Walsingham, Elizabeth I’s spymaster. For K, he spends some time with Korean and with the recent YouTube phenomenon of “Gangnam Style.” S takes us into signs and symbols, from Morse code to the International Phonetic Alphabet. And Z? ZIP codes. Along the way, we learn about Beowulf, e.e. cummings, George Bernard Shaw’s disdain for the apostrophe, our fondness for initials, a bit about that old song “Itsy Bitsy Teenie Weenie Yellow Polka Dot Bikini,” the history of okay, the history of shorthand, why rhyme has an h, Noah Webster and the Urban Dictionary. Rosen also is mellow about “correctness” in usage and punctuation (“Our personal histories and feelings are wrapped up in what the letters and their means of transmission mean to each of us”) and shows little sorrow for the disappearance of handwriting in schools; in fact, he thinks our current emphasis on it doesn’t make much sense.
A delightfully informative book about letters, their meanings, and the words and meanings we derive from them.Pub Date: Feb. 10, 2015
ISBN: 978-1619024830
Page Count: 448
Publisher: Counterpoint
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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