by Michael Schulman ‧ RELEASE DATE: April 26, 2016
A brisk, gossipy, and entertaining biography.
An admiring portrait of a rising star.
In his debut biography, journalist and New Yorker arts editor Schulman traces Meryl Streep’s evolution as an actor from her childhood in suburban New Jersey to her breakthrough role in Kramer vs. Kramer (1979). The first talent anyone recognized in Streep was her beautiful voice, acknowledged when she sang in a school concert at the age of 12. “It was the first time,” writes the author, “she felt the intoxication of applause.” Her parents sent her for singing lessons, but after seeing Beverly Sills in an opera, she realized that she was not good enough for the Met. Instead, she performed in high school musicals and, at Vassar, stunned a professor with her talent for drama. He cast her in a spate of plays, even choosing some because they offered Streep good roles. In 1972, when she auditioned for the competitive Yale School of Drama, she won easy admission. Classmates included Sigourney Weaver, Christopher Durang, and Wendy Wasserstein, who called the place “The Yale School of Trauma.” The school’s “special brand of crazy,” writes Schulman, was created by its director, Robert Brustein. Despite the demoralizing atmosphere, Streep thrived. “Slowly but surely,” writes the author, “the students began to realize that Meryl Streep could outdo them in almost everything.” Drawing on theater memoirs, conversations with Streep’s colleagues and friends, and heaps of interviews that Streep has given over the years, Schulman has fashioned a lively narrative of the actor’s theater and movie work after she left Yale. The influential Joe Papp discovered her and cast her in productions in Shakespeare in the Park, Lincoln Center, and his own Public Theater. As her reputation grew, she was lured to movies, including The Deer Hunter, Kramer vs. Kramer (for which she won an Oscar), and Woody Allen’s Manhattan. Schulman’s sensitive handling of Streep’s personal life rounds out the portrait of a superbly talented woman.
A brisk, gossipy, and entertaining biography.Pub Date: April 26, 2016
ISBN: 978-0-06-234284-3
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
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PROFILES
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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