Having narrowly escaped the Nazi bombing of their miniscule island kingdom, the young impoverished royal family of Montmaray is living in exile in England with their very wealthy aunt (A Brief History of Montmaray, 2008). Their lives have changed dramatically, as they are thrown unprepared into the world of upper-class society. But they also become embroiled in all the confusion of the perilous 1930s, speaking out against Fascism and appeasement and aiding children escaping from the horrors of the Spanish Civil War, all the while attempting to get help in wresting their home back from the Germans. Princess Sophie’s voice is true and clear in her journal, with syntax and tone spot on, as she writes with compassion of the upheaval, changing family dynamics and her own emotional growth. The novel is, in Sophie's words, a combination of the “Awful Bits” and “things that successfully distract one from the Awful Bits” in a world that “has been wound up as far as it could go.” The lively, charming characters meet challenges with pluck and ingenuity as well as a great deal of humor. Will modern readers get all the references to the real events and people? Perhaps not, but it won't matter, because the information is woven seamlessly into the plot. Multilayered and engrossing, Cooper’s tale alternates between frothy fun and heartbreaking seriousness with utter mastery. (author's note) (Historical fiction. YA)
Pub Date: April 5, 2011
ISBN: 978-0-375-85865-9
Page Count: 464
Publisher: Random House
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 15, 2011
BOOK REVIEW
BOOK REVIEW
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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