In this follow-up to Pirate & Penguin (2023), the titular pair aim to recruit fellow corsairs.
Penguin—whom Pirate now refers to as his Ground Parrot—and tan-skinned Pirate, still a one-man lexicon of sea terms, make two. That’s too few. They need a crew. To attract new careerists, they paint the ship in vibrant pastels, substitute a smiley face for the skull and crossbones (creating “the Jolliest Roger” imaginable), and tie bright balloons to the yardarms. But the “funnest flagship” elicits only guffaws from would-be buccaneers (depicted with tan skin). Their cries of “goofy ship” and “goofy pirate” don’t bother Pirate, but when they mock his “extra-goofy parrot,” he bristles and threatens to send them to the “bottom of the briney deep!” The “yellow-bellied landlubbers” scatter. But then Pirate spots a stowaway: a female octopus who meets their exact requirements (“four pairs o’arrrrrrrms”) and who likes the odd couple “for who we arrrrr.” As a squall arrives, the cry is “Man—and woman—yer stations!” and the decorative ship departs for “adventure and bountiful booty.” Black speech bubbles lend grimness to Pirate’s declarations, and a few somber touches contrast with the frivolity of their spiffed-up man-o’-war. The verses carrying this excellent yarn roll like the ship’s deck under our feet.
Adaptability and acceptance are the real treasure at the end of this pirate-y adventure.
(Picture book. 4-8)