Readers will look forward to more from this talented author, who has penned a perfectly paced, rousing biography.
The inspiring story of an early-19th-century woman who supported her family, made a name for herself and gave us all an opportunity to give thanks each November.
Allegra’s debut opens with Gardner's watercolor-and-pencil illustration of a family of six gathered around a turkey-laden table, hands joined, faces reflecting their sorrow: They had just buried their father, yet their mother, Sarah Josepha Hale, insisted on giving thanks for their blessings. Amusing and perfectly chosen anecdotes highlight the qualities that made Hale such a success—curiosity, thirst for knowledge and determination. Her husband, David, encouraged her writing, which would become the family’s means of support after his death in 1822. The writer of the first anti-slavery novel as well as “Mary Had a Little Lamb,” she became a household name as “editress” of two ladies’ magazines. Hale used the magazines to encourage women to think. Soon, she became someone whose opinions were taken seriously by her readership, including those about celebrating Thanksgiving as a national holiday. Four presidents refused her yearly requests, but Abraham Lincoln and a country embroiled in a Civil War needed to take a day to count blessings, and so Thanksgiving was made official. Gardner nicely combines vignettes and double-page spreads, his colors reflecting mood, while lots of period (and humorous) details will bring readers back for another perusal.
Readers will look forward to more from this talented author, who has penned a perfectly paced, rousing biography. (author’s note, selected sources) (Picture books/biography. 5-10)Pub Date: Sept. 1, 2012
ISBN: 978-0-8075-7239-9
Page Count: 32
Publisher: Whitman
Review Posted Online: July 31, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Absolutely wonderful in every way.
A long-forgotten chapter in New York City history is brilliantly illuminated.
In mid-19th-century New York, horses and horse-drawn vehicles were the only means of transportation, and the din created by wheels as they rumbled on the cobblestones was deafening. The congestion at intersections threatened the lives of drivers and pedestrians alike. Many solutions were bandied about, but nothing was ever done. Enter Alfred Ely Beach, an admirer of “newfangled notions.” Working in secret, he created an underground train powered by an enormous fan in a pneumatic tube. He built a tunnel lined with brick and concrete and a sumptuously decorated waiting room for passenger comfort. It brought a curious public rushing to use it and became a great though short-lived success, ending when the corrupt politician Boss Tweed used his influence to kill the whole project. Here is science, history, suspense, secrecy, and skulduggery in action. Corey’s narrative is brisk, chatty, and highly descriptive, vividly presenting all the salient facts and making the events accessible and fascinating to modern readers. The incredibly inventive multimedia illustrations match the text perfectly and add detail, dimension, and pizazz. Located on the inside of the book jacket is a step-by-step guide to the creative process behind these remarkable illustrations.
Absolutely wonderful in every way. (author’s note, bibliography, Web resources) (Informational picture book. 6-10)Pub Date: March 8, 2016
ISBN: 978-0-375-87071-2
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
Utterly compelling.
The authors of Fatty Legs (2010) distill that moving memoir of an Inuit child’s residential school experience into an even more powerful picture book.
“Brave, clever, and as unyielding” as the sharpening stone for which she’s named, Olemaun convinces her father to send her from their far-north village to the “outsiders’ school.” There, the 8-year-old receives particularly vicious treatment from one of the nuns, who cuts her hair, assigns her endless chores, locks her in a dark basement and gives her ugly red socks that make her the object of other children’s taunts. In her first-person narration, she compares the nun to the Queen in Alice in Wonderland, a story she has heard from her sister and longs to read for herself, subtly reminding readers of the power of literature to help face real life. Grimard portrays this black-cloaked nun with a scowl and a hooked nose, the image of a witch. Her paintings stretch across the gutter and sometimes fill the spreads. Varying perspectives and angles, she brings readers into this unfamiliar world. Opening with a spread showing the child’s home in a vast, frozen landscape, she proceeds to hone in on the painful school details. A final spread shows the triumphant child and her book: “[N]ow I could read.”
Utterly compelling. (Picture book/memoir. 5-9)Pub Date: April 1, 2013
ISBN: 978-1-55451-490-8
Page Count: 32
Publisher: Annick Press
Review Posted Online: Feb. 17, 2013
Kirkus Reviews Issue: March 1, 2013
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