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123 VERSUS ABC

Readers won’t care whether it’s about letters or numbers—they will be too busy poring over the artwork and laughing.

On a scale from one to 10, what’s your favorite color of the alphabet?

This book can’t decide whether it is a number book or an alphabet book—literally. Its anthropomorphized letters and numbers argue over which is more important for readers to learn—numbers that “count and measure and add and subtract” or letters that enable readers to “spell and read.” As they prepare to duke it out, their facial expressions (eyebrows, eyes, lips, teeth and tongues) and white-gloved fists and jabbing fingers speaking volumes, one alligator arrives. The number 1 and the letter A each use this as evidence to support their own case. As proof for both continues to crowd (literally) the pages, the letters and numbers begin to take things in stride. By the end, they present the letters from A to Z and the numbers from one to 26 as a team, concluding that, “This is a book about Numbersand Letters”…until the last page reveals a new character. “I’m a little lost. I’m supposed to be in a book about colors.” Boldt’s digital illustrations are zany enough to pull off the plot. Pointy numbers vie with rounded letters, while the animals that arrive are cartoonishly realistic-looking (though their actions and accessories are anything but).

Readers won’t care whether it’s about letters or numbers—they will be too busy poring over the artwork and laughing. (Picture book. 4-7)

Pub Date: July 1, 2013

ISBN: 978-0-06-210299-7

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 7, 2013

Kirkus Reviews Issue: June 1, 2013

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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