A fast-paced mob-family saga with compelling characters, great dialogue, and hardboiled vengeance.
In Florio’s crime novel set in the 1970s, gangsters pursue a young couple and fight among themselves.
As the story opens, it’s 1973 and J.J. Mesagne has just fled the scene of a gangland shootout in Wheeling, West Virginia, involving his father. He travels across the country with a stolen dog named Gnocchi to Scottsdale, Arizona, where he meets up with his mother, Maria Jenkins, and Leslie Fitzpatrick, the girl carrying his baby. Leslie also happens to be the mistress of Paul Verbania, West Virginia’s main mob boss. The three soon learn that J.J.’s father has been executed as a reprisal for the couple’s relationship. J.J. assumes a false name and starts working at a hospital in an effort to keep a low profile, but it isn’t long before he arouses the suspicions of Billy, a local man with organized crime connections. Before long, J.J. realizes he must decide between doing the unthinkable or continuing to run. Back in West Virginia, Paul’s crew, led by the menacing Vinny, are taking the search national: Anyone who finds J.J., and sends his severed hand to them as proof that he’s dead, will receive a sizable reward. Meanwhile, Jimmy Dacey, the 72-year-old best friend of J.J.’s father, is infiltrating the West Virginia mob; he starts working with Vinny’s crew and learns that there’s dissension in the ranks over whether to keep pursuing J.J. Jimmy hatches a plan to take down the bad guys and set J.J. free for good.
Over the course of the novel, Florio presents a mob drama that spans years before delivering a satisfying conclusion that ties all the various plot threads together. Right from the exciting opening—which starts in the middle of the action, leaving readers unsure of who was just shot, whom we should trust, or what exactly is in J.J.’s immediate future—readers will be eagerly turning pages as Florio fills them in on past and future events. The cast of characters is large, and several are the focus of individual chapters, told from their first-person point of view. This device could have offered an intriguing patchwork of perspectives, but it’s not entirely successful in its execution; they often feel too similar in style, and the cutting back-and-forth between different points of view slows some exciting action sequences. Despite this, Florio’s characters are well drawn and engaging. He has a flair for dialogue that keeps the plot moving, as in punchy exchanges between Vinny and his dimwitted crew, or between J.J. and his sharp-tongued mother, as when he tells her it’s his duty to get revenge: “‘Duty my ass.’ Maria smacked a hand against her backside as she said it. ‘Your only duty is to take care of this family. If you don’t come back, where does that leave us?’” The plot treads familiar territory for the genre, but the inclusion of Maria and Jimmy as elders with their own agendas, romances, and doubts feels fresh.
A fast-paced mob-family saga with compelling characters, great dialogue, and hardboiled vengeance.Pub Date: Sept. 3, 2024
ISBN: 9798987944042
Page Count: 400
Publisher: PFT Publishing
Review Posted Online: Aug. 8, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Review Program: Kirkus Indie
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.
A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.
Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.
Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.Pub Date: Oct. 14, 2025
ISBN: 9781538774700
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Oct. 15, 2025
Kirkus Reviews Issue: Dec. 1, 2025
SEEN & HEARD
SEEN & HEARD
Fast-moving and disturbingly plausible.
Robots may be the future of warfare in this final father-son DeMille collaboration.
In Camp Hayden, Army Maj. Roger Ames is found dead, his skull crushed. Chief Warrant Officers Scott Brodie and Maggie Taylor, special agents of the United States Army Criminal Investigation Division, are sent to the Mojave Desert, “a.k.a. in the middle of nowhere,” to investigate. In this fictional military installation, Army Rangers conduct field training exercises with lethal autonomous weapons. These “dangerous new toys,” nicknamed “tin men,” may become the future of warfare if they can be programmed to distinguish between friend and foe. Anyway, the Rangers’ job is to train the tin men, not the other way around. They are AI-driven robotic prototypes called D-17s, but even prototypes can kill. Did a bot kill the major? And was there criminal liability or intent, or was it a tragic accident? Brodie and Taylor discover that not everyone loves these beasts, and they must find out if humans are programming them for mischief or even trying to set up the program for failure. Meanwhile, the bots have nicknames. Bot number 20 is Bucky, seen on a video as a “seven-foot-tall titanium machine with hands covered in blood and brain matter” that has “a face but no eyes, with hands but no skin, with a body but no soul.” As scary as these beasties are, Brodie and Taylor must also look at the humans at Camp Hayden, because they learn that the “machines don’t have motives….They have inputs and outputs,” which naturally come from human programmers. They have neither brains nor courage nor honor; they do have brute force, speed, and agility. Obviously, plenty goes haywire in this enjoyable yarn. It feels a bit too believable for comfort, and that’s to the DeMilles’ credit as storytellers. Nelson DeMille had begun this project with his son Alex, who had to finish it alone after his father’s death.
Fast-moving and disturbingly plausible.Pub Date: Oct. 28, 2025
ISBN: 9781501101878
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: July 19, 2025
Kirkus Reviews Issue: Aug. 15, 2025
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