by Mindy Kaling ‧ RELEASE DATE: Sept. 15, 2015
Intrepid and often irreverent, Kaling humbly probes her own triumphs and defeats with laugh-out-loud results.
Light yet insightful personal essays from one of Hollywood’s cleverest writers.
Kaling (Is Everyone Hanging Out with Me?, 2011) dishes up another collection of humorous first-person essays on topics ranging from exposés borne of her insider’s view on TV stardom—“Sex scenes are the tits”—to an inspirational speech she gave at Harvard Law School. Photographs interspersed throughout the book help underscore the author’s kindly self-deprecating sense of humor and demonstrate her points about the stages of her typical 17-hour workday (“A Day in the Life of Mindy Kaling”) or the value of having a flotilla of stylists prepare you for a photo shoot (“How to Look Spectacular: A Starlet’s Confessions”). Fans of The Office and The Mindy Project will relish Kaling’s snapshots from the writers’ room and no-holds-barred depiction of the breakneck pace at which this writer/show-running actor lives while at work on her series. Readers less familiar with Kaling’s TV exploits will also find interesting food for thought in more extended pieces examining friendship and varying levels of intimacy. Though the collection might easily be relegated to the shelves of chick-lit memoir for its bald appeal to young women or “a gay man getting a present for your even gayer friend,” Kaling’s reflections on her own self-image reveal an admirable depth of introspection. Particularly motivational is the volume’s closing piece, in which the author calls out undeserved confidence: “Confidence is just entitlement...simply the belief that you deserve something. Which is great. The hard part is, you’d better make sure you deserve it.” Having had to continually face the gauntlet of questions of what it’s like enduring her Hollywood “otherness” due to her Indian origin, curvaceous figure, and willingness to speak the truth, Kaling espouses her hard-won mantra: “If you’ve got it, flaunt it. And if you don’t got it? Flaunt it. ’Cause what are we even doing here if we’re not flaunting it?”
Intrepid and often irreverent, Kaling humbly probes her own triumphs and defeats with laugh-out-loud results.Pub Date: Sept. 15, 2015
ISBN: 978-0-8041-3814-7
Page Count: 240
Publisher: Crown Archetype
Review Posted Online: Sept. 19, 2015
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BOOK TO SCREEN
by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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