by Miranda Carter ‧ RELEASE DATE: Jan. 1, 2001
Many books recount Blunt's espionage; this one is a complete biography that does him justice. (16 illustrations)
British journalist Carter limns the complex life and fascinating times of the eminent art historian best known for being exposed in 1979 as a former Soviet spy.
Entering Cambridge in 1926, Blunt (1907–83) gravitated to the rebellious, esthetic Bloomsbury group that dominated university intellectual life between the wars. Art, not politics, preoccupied him, and his work won plaudits. During the 1930s, the rise of poverty and fascism converted many in Blunt's circle to communism. While a major literary influence, their numbers were small, and their impact on history would have been modest if they hadn’t become spies. Never an activist, Blunt's conversion first showed itself in a temporary switch to Marxist art criticism. (The author devotes fully half her text to his art career.) During the war he worked in MI5, passing thousands of documents to his Soviet handler. Carter has assimilated the massive and often unreliable literature on espionage to produce an authoritative and often hilarious account of this period. Eager British spies deluged Moscow with secret documents; Soviet officials assumed it was too good to be true, but eventually they realized they had a gold mine. The workaholic Blunt continued his art studies during the war and wrote several important books. Afterward, he drifted away from espionage, but a faint cloud of suspicion dogged him, especially after Burgess and Maclean defected in 1951. When his secret was revealed nearly three decades later, he became a pariah. Besides passing information, he was accused of being a predatory homosexual and a pedophile, plagiarizing from students, authenticating forgeries for profit, cheating friends out of priceless paintings. He consulted his lawyer about suing for libel and was told his actions had defamed his name so badly that no further defamation was possible.
Many books recount Blunt's espionage; this one is a complete biography that does him justice. (16 illustrations)Pub Date: Jan. 1, 2001
ISBN: 0-374-10531-6
Page Count: 608
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2001
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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