Gentle yet powerful.
In this adaptation of Nobel Prize winner Mo Yan’s short story of the same name, a grandfather and grandchild gather satintail grass on a windy day.
In rural China, amid the early-morning fog, Yeye and the child set off toward the lush meadows miles from their house. Every summer, Yeye cuts the satintail grass, which is then fed to the livestock. The child, now 7, joins him for the first time. Among the quiet, “half-waking world,” Yeye sings a “nonsense” tune that “feels strange—happy, yet sad” (“A small peace offering can end generations of wrong… / A careless reply can wipe out half a kingdom”). When black clouds unexpectedly roll in, Yeye and the child must quickly leave. A formidable gale arrives, sweeping away the carefully gathered grass; in its aftermath, Yeye’s eyes well with tears, but the pair push on. Lyrical prose pensively explores ideas of perseverance and acceptance. The visible brushstrokes of the acrylic-on-cardboard illustrations beautifully render movement: of the wild, grassy fields, the morning fog, the afternoon clouds, and the actions of Yeye and the child. While the palette is primarily muted and earthy, the use of several perspectives and angles further energizes the pages. As “the wind tears away the half-dried grass, scatter[ing]” and spiraling it through the sky, readers themselves will experience the tumbling as they turn the book sideways to view the vertical spread.
Gentle yet powerful. (excerpt from the original short story) (Picture book. 4-8)Pub Date: Aug. 6, 2024
ISBN: 9781665930628
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
