Gerstein (The Story of May, 1993, etc.) explains that this tale of Moses's surpassingly reluctant and argumentative passage into heaven is from a midrash (``a text using biblical legends to teach a moral lesson'') and that his source was a translation from a 500-year-old Kurdistani manuscript. As his people are about to enter the Promised Land, God summons Moses's soul. Moses objects (``Why now?...My hundred and twenty years seem like one short day'') but is finally convinced that nobody lives forever. Then the angels demur: How can they take the soul of God's greatest prophet? Only the Angel of Death is willing, and he is so evil that a wrathful Moses drives him away. Finally, God himself takes the soul and then weeps (``Whom will I love as well?''). He is comforted by all the ``blissful souls'' in heaven: ``His soul will be with you forever and always.'' Gerstein surpasses himself in glorious paintings of shadowy blues, rusty flame, and luminous light hues. His angels recall both ancient Middle Eastern sculpture and Chagall's aerial musicians, while God's presence is rendered in stars, clouds, and pure light. Lyrical, comic, cosmic, and deeply touching. (Folklore/Picture book. 4+)
Pub Date: Sept. 23, 1994
ISBN: 0-7868-0016-X
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)
Pub Date: Oct. 30, 1992
ISBN: 0-689-31762-X
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
A tender, honest, and beautifully written story about family, faith, and friendship.
Louisa Emerson copes with the sadness and stress of her alcoholic dad, remarried mom, new stepdad, and a move to the suburbs.
Fifth grader Lou loves her small apartment in San Francisco; her mom; her 15-year-old sister, Casey; her BFF, Beth; sad books; and, despite the pain and uncertainty he causes, her usually drunk dad. Lou’s life is being uprooted, however, because Mom is marrying oversolicitous Steve, a man from church who proposed after only three dates. Since Steve lives in his large childhood home in Pacifica—and Lou’s family is barely getting by financially in the city—they are moving in with Steve, and only Mom and Steve seem happy about that. On her 11th birthday, Lou anonymously receives a guitar that she believes is from her dad. After the Emerson girls move, Lou befriends Marcus and Shannon, a charming couple with three young kids who live on Steve’s block. They quickly become the sisters’ trusted adults, and Marcus gives Lou guitar lessons. In her middle-grade debut, noted YA author Zarr writes exactly the sort of kid Lou herself favors: one that thoughtfully tackles tough issues like substance abuse, parental abandonment, the difficulties of change, and blended families. The story also features church and Christian themes in a refreshingly positive and affirming way. Lou’s family is White; supporting characters include Chinese American Beth and Filipino American Marcus.
A tender, honest, and beautifully written story about family, faith, and friendship. (Fiction. 9-13)Pub Date: March 15, 2022
ISBN: 978-0-06-304492-0
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
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