New fiction from the bestselling author of Caul Baby (2021).
In 2019, Ardelia Gibbs and Oliver Benjamin are celebrating their engagement on the roof of a restaurant in midtown Manhattan. White linen tablecloths. Floral arches. Sliders and macarons. Nineties soul on the sound system. As the celebration is winding down, Oliver taps his glass to get everyone’s attention. He has a gift for his bride-to-be: a letter that has been passed down from generation to generation in his family, a letter written by a woman named Tirzah to a man named Harrison in 1865. After this prologue, the narrative moves back in time to Mississippi in the aftermath of the Civil War, back to the time in which Tirzah sent a letter to her beloved Harrison with no guarantee that he would ever receive it. The couple had been separated and, while the Freedmen’s Bureau gave them a way to find each other again, there was little chance of them reconnecting. In the mythic version of the American story, emancipation is a single glorious moment when enslaved people become free. Jerkins makes it very clear that the truth is not nearly so simple as she explores a growing family tree and more than 100 years of history. The journey Jerkins’ characters take is similar to the story she shares about her own ancestors in her memoir, Wandering in Strange Lands (2020). In this work of fiction, as in her nonfiction, the author underscores the fact that establishing freedom and protecting freedom is very different from being granted freedom. And by beginning her narrative at a contemporary engagement party, Jerkins foregrounds the unifying power of family and community in creating a Black culture that doesn’t just survive, but thrives.
A multigenerational exploration of slavery’s legacy and the power of Black joy and Black love.