An attention-getting writer (novels, Memento Mori. The Ballad of Peckham Rye, The Bachelors, and short stories, The Go-Away Bird) pursues her multi-personae interests, her concern with religion, and her refusal to allow the reader to be at one with her purpose. Here she disperses her story (a loose but provocative thing) over an extended — and interrupted — period (thirty years) during which Miss Brodie, (in her prime) holds young minds in thrall, at first in delight at the heady freedom she offers from the rigid, formal precepts of Edinburgh's Marcia Blaine (day) School, later in loyalty to her advanced sedition against the efforts to have her removed. Finally the girls grow up — and Monica, Rose, Eunice, Jenny, Mary, and Sandy, (particularly Sandy with her pig-like eyes) separate, and the "Brodie set" dissolves- with war, death, marriage, career, and conversion to Catholicism. But there still is a central focus — who among them betrayed Miss Brodie to the headmistress so that a long-desired dismissal was effective? In this less-than-a-novel, more-than-a-short story, there is the projection of a non-conformist teacher of the thirties, of a complex of personalties (which never becomes personal lives), and of issues which, floating, are never quite tangible. But Muriel Spark is sharp with her eyes and her ears and the craftiness of her craftsmanship is as precision-tooled as the finest of her driest etching. With the past record, the publisher's big push, and The New Yorker advance showing, this stands on its own.
Pub Date: Jan. 17, 1961
ISBN: 0061711292
Page Count: 200
Publisher: Lippincott
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Jan. 1, 1961
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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