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SURVIVAL

A promising debut collection of 15 stories, set in Alaska or concerned with it. The pieces focus mainly on contemplative women who come to terms with loneliness and distance and display the quiet courage required for survival. In the title story, the narrator, 18 years in Alaska, remembers her earlier self (``When I was 20, a skinny girl from Minnesota, I had the great romantic notion that I wanted to live in Alaska'') when she's confronted with Bonnie-who, wanting ``to get down to the essence of life,'' withdraws to an island wilderness and freezes to death. Luck and circumstance often mean the difference between survival and disaster, as in ``Marks,'' where Pam clips salmon fins in a factory and reconstructs the brutal murder of Roni, an acquaintance who chose to survive by dancing nude in a club and living a reckless thrill-seeking life- until one day she took a plane ride with the wrong man. Other stories deal with the idea of Alaska as a place to find a new self: in ``The Lady with the Sled Dog,'' a man interviews a woman who ``has mushed her team over a thousand miles of frozen mountains, through blizzards and darkness,'' and, finally seeking out her ``perfect white world,'' the man is changed in small but irrevocable ways. Still other takes are evocative and moving: ``Volcano,'' about a woman alone after a nearby eruption; ``Snowblind,'' where a woman stateside waits for her Alaskan lover, only to discover he's a deluded romantic (``You know, even if we're not there, we need Alaska to be there''); and the comic ``Why I Live at the Natural History Museum,'' which manages to transport Eudora Welty wholesale to Alaska. There's nary a clinker among these: the collection bears delicate, closely observed witness to a place and to some of the voices that come to terms with it. A writer to watch.

Pub Date: April 1, 1991

ISBN: 0-918273-84-6

Page Count: 176

Publisher: Coffee House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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