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BETWEEN HUSBANDS AND FRIENDS

From the author of An Act of Love (1997), among others: a clear-eyed look at a friendship between two couples that almost implodes when a child becomes seriously ill and damaging secrets are revealed. Narrator Lucy West is married to Max and is the mother of 14-year-old Margaret and first-grader Jeremy. The Wests live in a small town, where Max is editor of the local newspaper, and life has mostly been good, but as Lucy begins her story, in June 1998, she’s suffering from panic attacks. She’s been offered a job with a prestigious ad agency in nearby Boston, and she fears that Max, who himself suffers from depression, might not be able to cope if she works full-time. As the summer progresses, Lucy finds she has to deal with even more disturbing problems, these detailed in chapters alternating with her recollections of the recent past. Lucy and Max are close friends with Kate and Chip Cunningham, parents of Matthew and Abby. The two women share confidences, their children are pals, the couples socialize and vacation together on Nantucket. As in all friendships, though, there are the inevitable moments of envy and competition. Lucy’s memories of the early years of the West/Cunningham bond reveal one especially fraught period. Lucy had a stillborn baby, and grieving Max ignored his wife, who found it hard to be friends with Kate when she gave birth to Abby shortly thereafter. A brief affair with Chip revitalized Lucy and her marriage; soon after, she was pregnant with Jeremy. But when Jeremy is diagnosed in August 1998 with cystic fibrosis, a genetically caused disease, and the doctor suggests Max be tested, Lucy has to admit that Chip could also be the father. Will her confession end not just her friendship with Kate but her marriage? Can love and loyalty endure . . . even barely? Plot-driven, yes, but there’s more than enough compensation in Thayer’s insights into the tangled webs woven by friendship. (Literary Guild alternate selection)

Pub Date: Sept. 1, 1999

ISBN: 0-312-20613-5

Page Count: 256

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1999

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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