An intriguing premise undermined by heavy-handed plot manipulation and shallow people.
A newly appointed family court judge discovers that the male defendant in her first custody case is her secret lover—and that’s only the prologue to this mix of old-fashioned romance and trendy issues like adoption, surrogate parenthood, and obsessive-behavior disorder.
After setting up the major crisis facing Judge Kelly MacLeod, how she’ll avoid presiding over a case involving her lover without dishonoring her role as judge, Thayer (Between Husbands and Friends, 1999) backs up to show how Kelly got herself into this predicament. After Kelly’s father died in Vietnam, she was raised by her mother and her father’s parents, but during Kelly’s senior year in college, her mother, under the sway of her evil second husband, absconded with Kelly’s inheritance. Suddenly destitute, Kelly acted as a surrogate mother to pay her way through law school, holding her newborn daughter just long enough to fall in love with her (and notice a small but crucial-to-the-plot birthmark).Years later, Kelly has become a highly respected lawyer when her mother reenters her life and renews their relationship before dying. On subsequent weekly visits to the cemetery, Kelly encounters an attractive middle-aged man visiting his recently deceased mother’s grave. Although they don’t exchange names at first, we know he is Randall Madison, a doctor whose soon–to-be ex-wife Anne is a rising liberal politician Kelly happens to support. Randall and Anne’s adopted daughter was born of an anonymous surrogate mother (guess who) with Randall’s sperm. Kelly, despite a disposable fiancé, and Randall fall in love while Randall and Anne fight over their daughter. The fact that Anne is an obsessive-compulsive neurotic and a wildly overprotective, occasionally violent mother while Randall is a sweetheart of a dad, his marital infidelity explained as the result of Anne’s disgust for sex, weakens Thayer’s attempts at evenhandedness late in the story—when love and humane justice prevail.
An intriguing premise undermined by heavy-handed plot manipulation and shallow people.Pub Date: Nov. 1, 2001
ISBN: 0-312-27734-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2001
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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