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THE REASON I JUMP

THE INNER VOICE OF A THIRTEEN-YEAR-OLD BOY WITH AUTISM

Anyone struggling to understand autism will be grateful for the book and translation.

A 13-year-old Japanese author illuminates his autism from within, making a connection with those who find the condition frustrating, mysterious or impenetrable.

For the renowned novelist David Mitchell, who provides the introduction and collaborated on the translation, this book is “a revelatory godsend.” The father of a young autistic son, Mitchell had never felt well-served by books written by others who provided care for the autistic or by more scholarly analyses of the condition. The book takes the form of a series of straightforward questions followed by answers that are typically no longer than a couple of paragraphs or pages. “We really badly want you to understand what’s going on inside our hearts and minds,” writes Higashida. “And basically, my feelings are pretty much the same as yours.” He describes the difficulty of expressing through words what the brain wants to say, the challenge of focusing and ordering experience, the obsessiveness of repetition, the comfort found in actions that others might find odd, and the frustration of being the source of others’ frustration. “We don’t obsess over certain things because we like it, or because we want to,” he writes. “People with autism obsess over certain things because we’d go crazy if we didn’t. By performing whatever action it is, we feel a bit soothed and calmed down.” In addition to demystifying his condition and translating his experience, the author intersperses some short fables and a concluding short story that shows remarkable empathy and imagination, as the death of an autistic boy leaves a family transformed. “[Higashida] says that he aspires to be a writer, but it’s obvious to me that he already is one,” writes Mitchell.

Anyone struggling to understand autism will be grateful for the book and translation.

Pub Date: Aug. 27, 2013

ISBN: 978-0812994865

Page Count: 192

Publisher: Random House

Review Posted Online: June 19, 2013

Kirkus Reviews Issue: July 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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