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THE BOO! BOOK

Although much talent is evident in this creative pairing, the result lacks overall appeal for the picture-book crowd; save...

An engaging narrator, together with magical illustrations that often conjure surreal scenes, lets readers in on all there is to know about haunted books and how to be a good owner of one.

“Everyone has heard of haunted houses,” but “not many people know that books can be haunted too.” Book ghosts are likely “to meddle with stories and turn them upside down” or occasionally scramble the words on a page. It's important not to offend book ghosts, and their book should not be read “on the anniversary of the day the ghost first took up residence” in it. Readers “who make this mistake get sucked up into the book….” Lachenmeyer’s fantastical story comes to life in the artful hands of Ceccoli. Employing a technique that utilizes Plasticine puppets, digital photography and acrylics, she will have readers feeling as though they have entered the book ghosts’ deep, watery blue world, full of bubbles and populated by bizarre creatures such as a balloon-headed doll and swimming eyeballs. Children could be either fascinated or unsettled by the story’s premise, but few will deny the captivating quality of the pictures. Characters appear to have a lifelike sparkle in their eyes, and the transparent, ice blue ghost comes across as more mischievous than scary. The book ends on an upbeat note and with an unnecessary pop-up.

Although much talent is evident in this creative pairing, the result lacks overall appeal for the picture-book crowd; save for children with patience and a taste for the surreal. (Picture book. 4-7)

Pub Date: Aug. 7, 2012

ISBN: 978-1-4169-3513-1

Page Count: 46

Publisher: Atheneum

Review Posted Online: July 17, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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THE LITTLE GHOST WHO WAS A QUILT

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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