by Neal Shusterman ; illustrated by Andrés Vera Martínez ‧ RELEASE DATE: Oct. 31, 2023
Moving examples of the power of culture and folklore to offer help, hope, and inspiration to act.
Answering a call to witness, Shusterman offers five original tales of Jews resisting and escaping Nazis with help from miracles, wonders, and legends.
Inspired by actual examples of aid and rescue recounted in brief between each story, the author celebrates courage in the face of brutality and terror—beginning with a group of orphaned children in Hamburg narrowly escaping a Nazi roundup through a window in their apartment that becomes a portal to a peaceful world. There are also striking tales of a golem at Auschwitz, resistance fighters freeing a train of captives with help from Baba Yaga and the people of Chelm, and a teenager who wields the staff of Moses to raise a bridge of sunken boats, helping Danish Jews escape across the Øresund strait to Sweden. In a pointed final story, an American child passes back and forth between this time and an alternate present in which the Holocaust never happened, but antisemitic violence is ominously on the rise. Noting the influence of Marvel Comics on his work, Martínez offers clean-lined period scenes of ordinary-looking heroes enduring fear and hardship, and “fighting for justice on every page.” Resonating with an earlier acknowledgment that Roma and other minorities also suffered Nazi persecution, Martínez finds common personal ground in his own Tejano family’s experiences with white supremacists.
Moving examples of the power of culture and folklore to offer help, hope, and inspiration to act. (photo credits, author’s notes, illustrator’s note, bibliography, note on Hebrew letters) (Graphic fiction. 12-18)Pub Date: Oct. 31, 2023
ISBN: 9780545313483
Page Count: 256
Publisher: Graphix/Scholastic
Review Posted Online: July 31, 2023
Kirkus Reviews Issue: Aug. 15, 2023
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PROFILES
by Kerilynn Wilson ; illustrated by Kerilynn Wilson ‧ RELEASE DATE: June 13, 2023
A fast-paced dip into the possibility of a world without human emotions.
A teenage girl refuses a medical procedure to remove her heart and her emotions.
June lives in a future in which a reclusive Scientist has pioneered a procedure to remove hearts, thus eliminating all “sadness, anxiety, and anger.” The downside is that it numbs pleasurable feelings, too. Most people around June have had the procedure done; for young people, in part because doing so helps them become more focused and successful. Before long, June is the only one among her peers who still has her heart. When her parents decide it’s time for her to have the procedure so she can become more focused in school, June hatches a plan to pretend to go through with it. She also investigates a way to restore her beloved sister’s heart, joining forces with Max, a classmate who’s also researching the Scientist because he has started to feel again despite having had his heart removed. The pair’s journey is somewhat rushed and improbable, as is the resolution they achieve. However, the story’s message feels relevant and relatable to teens, and the artwork effectively sets the scene, with bursts of color popping throughout an otherwise black-and-white landscape, reflecting the monochromatic, heartless reality of June’s world. There are no ethnic or cultural markers in the text; June has paper-white skin and dark hair, and Max has dark skin and curly black hair.
A fast-paced dip into the possibility of a world without human emotions. (Graphic speculative fiction. 12-18)Pub Date: June 13, 2023
ISBN: 9780063116214
Page Count: 304
Publisher: Greenwillow Books
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
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BOOK REVIEW
by Kerilynn Wilson ; illustrated by Kerilynn Wilson
by William Shakespeare & developed by The New Book Press LLC ‧ RELEASE DATE: Sept. 9, 2013
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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BOOK REVIEW
by William Shakespeare ; adapted by Crystal S. Chan & Michael Barltrop ; illustrated by Julien Choy
BOOK REVIEW
by William Shakespeare ; adapted by Crystal Chan ; illustrated by Julien Choy
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by William Shakespeare ; adapted by Georghia Ellinas ; illustrated by Jane Ray
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