The real achievement of this adaptation is that readers will want to jump back to the novel and then leap back again, time...
Russell is a brave man. He was willing to cut the very first sentence of Gaiman’s Newbery-winning novel, even though it’s one of the most memorable lines in children’s literature: “There was a hand in the darkness, and it held a knife.”
By cutting out most of the descriptive text in this first of a two-part adaptation, Russell calls attention to the drama and wit of the language in each sentence. His graphic storytelling is faster-paced than the original book, but it’s always faithful, and a few readers may even prefer this version. Though he shares illustration duties with a team of graphic-novel luminaries—every artist gets a favorite monster or creature to draw—Russell’s fans will recognize his elegant, distinctive layouts even in the chapters he didn’t illustrate himself. The pictures also clarify one plot point. The original book was amusingly coy about whether a character named Silas was a vampire, but here he’s given the full Bela Lugosi treatment, and it’s beautiful. In Kevin Nowlan’s drawings, he has impossibly high cheekbones and a face like pale stone. One scene has even more impact than in the original: Ghosts join hands with the living and begin to dance, and readers see every dancer in the square.
The real achievement of this adaptation is that readers will want to jump back to the novel and then leap back again, time after time. (Graphic adaptation. 8-12)Pub Date: July 29, 2014
ISBN: 978-0-06-219481-7
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2014
Kirkus Reviews Issue: April 15, 2014
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
An emotional, much-needed historical graphic novel.
Sandy and his family, Japanese Canadians, experience hatred and incarceration during World War II.
Sandy Saito loves baseball, and the Vancouver Asahi ballplayers are his heroes. But when they lose in the 1941 semifinals, Sandy’s dad calls it a bad omen. Sure enough, in December 1941, Japan bombs Pearl Harbor in the U.S. The Canadian government begins to ban Japanese people from certain areas, moving them to “dormitories” and setting a curfew. Sandy wants to spend time with his father, but as a doctor, his dad is busy, often sneaking out past curfew to work. One night Papa is taken to “where he [is] needed most,” and the family is forced into an internment camp. Life at the camp isn’t easy, and even with some of the Asahi players playing ball there, it just isn’t the same. Trying to understand and find joy again, Sandy struggles with his new reality and relationship with his father. Based on the true experiences of Japanese Canadians and the Vancouver Asahi team, this graphic novel is a glimpse of how their lives were affected by WWII. The end is a bit abrupt, but it’s still an inspiring and sweet look at how baseball helped them through hardship. The illustrations are all in a sepia tone, giving it an antique look and conveying the emotions and struggles. None of the illustrations of their experiences are overly graphic, making it a good introduction to this upsetting topic for middle-grade readers.
An emotional, much-needed historical graphic novel. (afterword, further resources) (Graphic historical fiction. 9-12)Pub Date: Oct. 5, 2021
ISBN: 978-1-5253-0334-0
Page Count: 112
Publisher: Kids Can
Review Posted Online: June 28, 2021
Kirkus Reviews Issue: July 15, 2021
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