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HISTORY OF THE RAIN

Williams returns to home turf with a long, sentimental, affectionate poem to Irishness generally—“the best saints and the...

A rambling, soft-hearted Irish family saga stuffed with eccentricity, literature, anecdotes, mythology, humor and heartbreak, from the author of Four Letters of Love (1997).

“There’s nothing direct about us,” says bedridden 19-year-old narrator Ruth Swain, speaking of the Irish, and the same is true of Williams’ (John, 2008, etc.) convoluted, comically discursive latest, a shaggy dog story of a novel narrated in what Ruth calls The Meander style. (Ruth has a thing for Capital Letters.) A Smart Girl and briefly a student at Trinity College Dublin but now ill and confined to her room while rain constantly drizzles across the skylight, Ruth explains how the Swain family holds to the Philosophy of Impossible Standard: "No matter how hard you try you can’t ever be good enough." Tracing this belief back through generations, she enumerates the caricaturish figures of her lineage in vaguely chronological order and with Dickensian flourishes. Tributes and references to books and writers crop up constantly. Voracious reader Ruth has inherited her father Virgil’s library of 3,958 books and intends to read them all. Virgil was a poet, and his father wrote books about salmon fishing, extracts from which appear in the text. In among the family history, descriptions of the local community (Faha in County Clare) and detours, there’s the thread of Ruth’s golden twin brother, Aeney, whose unsurprising fate is central to Virgil losing his struggle with the Impossible Standard and to the cycle of water and writing, faith and hope with which the book concludes.

Williams returns to home turf with a long, sentimental, affectionate poem to Irishness generally—“the best saints and the best poets and the best musicians and the world’s worst bankers”—and one quirky family in particular that insists on being read at its own erratic pace.

Pub Date: May 6, 2014

ISBN: 978-1-62040-647-2

Page Count: 368

Publisher: Bloomsbury

Review Posted Online: April 1, 2014

Kirkus Reviews Issue: April 15, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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