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THE SELECTED LETTERS OF BERTRAND RUSSELL

VOL. I, THE PRIVATE YEARS, 1884-1914

A brilliant psychological portrait, annotated and explained with tact and sensitivity.

An "epistolary biography'' comprised of a selection of Russell's previously unpublished correspondence—mostly love letters to his wife, Alys, and to Ottoline Morrell, a married Bloomsbury courtesan—discussing his work, education, women's rights and his own priggish morality.

Griffin (Philosophy/McMaster Univ.) clearly appreciates both the cerebral "logic machine,'' as Russell called himself, and the lonely, confused, passionate lover. Descended from eccentric, politically powerful aristocrats and orphaned at an early age, Russell (1872-1970), over the objections of his grandmother, married an American Quaker five years his senior—the subject of many letters. Fearful of perpetuating the madness that had haunted both of their families, the couple avoided children but feared contraception, which Russell believed had caused his father's epilepsy. Still, the first ten years of his marriage were his most "fruitful'' as a mathematical philosopher. They were followed by ten years of dutiful devotion to his emotionally fragile wife—whom, impulsively, he had decided he didn't love. Russell did love the elusive Ottoline, however, whom he wooed with long daily letters, over one thousand of them. During a year in America, he found a cure for the gum disease that had made him repugnant to Ottoline—and he fell for another woman, 28-year-old Helen Dudley, who, as this collection concludes, was on her way to England to marry him and to bear the children he longed for. The great names are all here: Whitehead, Wittgenstein, Joseph Conrad, Gilbert Murray et al., with their brilliant minds, high causes—and dysfunctional lives. And, as these letters so pitifully reveal, Russell's strength as a philosopher—his abstract, unyielding, insular nature—prevented him from achieving the intimacy, children, and romance he craved.

A brilliant psychological portrait, annotated and explained with tact and sensitivity.

Pub Date: July 15, 1992

ISBN: 0-395-56269-4

Page Count: 576

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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