An entertaining shaggy dog of a futuristic whodunit.
An SF–tinged romp that blends elements of the noir thriller and the picaresque novel.
Son of the late John le Carré, Harkaway comes by his moody thriller credentials honestly. Yet here he echoes not his father so much as the Thomas Pynchon of Inherent Vice. His book stars schmo of a detective Cal Sounder, who’s pulled into a tangled tale of corporate intrigue and ethnic cuisine (“the Goan-Hungarian place is called Bela’s but the chef’s name is Atilla....His wife, Mâri, runs the business and she’s the brains”). The men blunder through, for the most part, while the women do the thinking. One topic at the top of everyone’s list is why a “nerd,” as Sounder describes him, should be lying dead on his apartment floor, his outfit a pastiche of high-flood pants, a clip-on tie, and orthotic shoes that “complete the anti-chic vibe.” Oh, and the dead nerd with the bullet in his brain is 7 feet, 8 inches tall and 91 years old: a superman, in other words, known in Harkaway’s metropolis of the near future as a Titan. And how does one get to be so old and gigantic? Therein lies a tale of genetic manipulation—familiar to fans of movies such as RoboCop and Elysium—the mastermind of which is, naturally, a Very Bad Man—or half-man, half-whatever—named Stefan Tonfamecasca. The mad science required to produce a Titan might be intellectually interesting, but it has produced a few monsters to make Sounder’s life miserable. And, Tonfamecasca being the creator of a new life form, who knows how many to produce before “ruining that post-scarcity thing for the few”? There are the inevitable crooked cops and femmes fatales (some of them quite oversized) along with some fun culinary side notes (“Barbecue...is the only food apart from lobster where a grown man is permitted to wear a bib without criticism”) to pepper Harkaway’s tale.
An entertaining shaggy dog of a futuristic whodunit.Pub Date: May 16, 2023
ISBN: 9780593535363
Page Count: 256
Publisher: Knopf
Review Posted Online: March 13, 2023
Kirkus Reviews Issue: April 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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