As a whole the anthology really registers. Whether gay, lesbian, or straight, readers may get the haunted feeling that they...
Griffith and Pagel carry on their gay and lesbian series (Bending the Landscape: Science Fiction, 1998) with 18 original horror tales.
Horror is a narrower vein than fantasy or science fiction, and adding a gay/lesbian imperative narrows it even more, although none of these stories can be described as erotic. Among the stronger entries is the opening tale, “Coyote Love,” by Kraig Blackwelder, which reminds us that trapped coyotes will sometimes gnaw off a leg to escape. A strapping Army Ranger, who knows many ways to kill by hand, has an argument with his girlfriend, gets drunk, and wakes up in bed with a man, his arm numb under the sleeper’s body. Goaded by thoughts of his father, who lost an arm in the war, the ranger decides to follow the coyote’s lead rather than wake his bedmate. In Simon Shepard’s “What Are You Afraid of?” (another solid effort), the narrator dreams again and again of being trapped in a rambling old dark house. He will never escape that house: it’s his own body, as if a putrescent Dorian Gray or Norman Bates dressed up as his mother. “The Man Who Picks the Chamomile,” by Mark McLaughlin, portrays a gay couple of 13 years, one of whom has a mystical belief in the chamomile he picks and eats daily, and chronicles the dire consequences when the other (who’s also the narrator) stops eating and drinking it. In Leslie What’s “The WereSlut of Avenue A,” young Helen’s much older lover, Agatha, “goes animal” when “on her moon” and must be bound in leather and shackled to the bedpost.
As a whole the anthology really registers. Whether gay, lesbian, or straight, readers may get the haunted feeling that they are reviewing their own lives.Pub Date: April 26, 2001
ISBN: 1-58567-116-9
Page Count: 336
Publisher: Overlook
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 1, 2001
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
