Reflective and peaceful.
A rhythmic poem explores origins, both physical and abstract.
A boy sits in his room, serving tea to his stuffed animals, when a feather wafts in on the breeze. It prompts a string of wonderings, each with its own spread and paired by rhyme. “Does a feather remember it once was… / …a bird? // Does a book remember it once was… / …a word?” Every left-hand page shows a small scene of the boy with the named item (the feather; a book). The corresponding right-hand page shows a larger scene that’s related to the small one (an owl at the barber’s, feathers falling; animals patronizing a bookstore); these are softly round-edged. Many animals in the larger scenes are the child’s toys come to life. Laden’s impeccable cadence wanders into nature (“Does a cake remember it once was… / …grain? // Does an ocean remember it once was… / …rain?”) and some gentle, child-friendly philosophy (“Does an island remember it once was… / …unknown?”). One origin’s too narrow—not all families “once [were] two,” nor are all parental sets heterosexual, like the male and female mallard depicted. Liwska fans will recognize her carefully detailed sketches and their fine, soft crosshatchings and shadings. Colors are grays and browns with muted red, green and blue highlights; animal characters are tender and genuine. These musings on memory and change are thought-provoking, yet the piece also works as a lullaby.
Reflective and peaceful. (Picture book. 3-6)Pub Date: Dec. 3, 2013
ISBN: 978-0-316-20816-1
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 17, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A disappointing follow-up.
Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).
While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.
A disappointing follow-up. (Picture book. 3-6)Pub Date: March 1, 2020
ISBN: 978-1-68263-164-5
Page Count: 32
Publisher: Peachtree
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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