Although the pace lags in sections—notably a cross-country train tour which seems to occur in real time—all in all this is a...
Aging Japanese actor, a former silent-screen sex symbol, is offered a second chance at notoriety.
Revoyr’s third novel (Southland, 2003, etc.) is loosely based on a scandal of Hollywood’s silent era. It’s 1964, and Jun Nakayama, 73, is content to dwell in prosperous obscurity, monitoring his real-estate investments and hiking the Hollywood Hills. But troubling memories of his days as a controversial movie star resurface when journalist Nick Bellinger interviews Jun about his flaming youth and leading ladies, including siren Elizabeth Banks and Nora Niles, an ingénue dominated by a harridan of a stage mother. This being Los Angeles, Nick is shopping a screenplay with a star turn for Jun—as an elderly Japanese man who is mistaken for a former war criminal by his rural California neighbors. Although excited by the prospect of working again, Jun is loath to revisit the circumstances that prematurely curtailed his career in 1922. Seamlessly interwoven flashbacks detail Jun’s ascension to stardom despite anti-Japanese prejudice. Jun’s excitement almost overwhelms a nagging suspicion that a comeback might engender a deeper inquiry into Jun’s role in one of early Hollywood’s most lurid unsolved mysteries. Ashley Tyler, a British director, was found murdered in his bungalow. There are three suspects: Elizabeth and Nora, who each had romantic designs on Ashley, and Jun, Ashley’s rival for Elizabeth. All three are cleared, but Elizabeth drinks herself to death and Nora is forever consigned to her mother’s less than tender mercies. But the murder isn’t the only reason Jun is publicity shy. He harbors a guilty secret, which the hoopla surrounding a movie release will expose. Allowing a first-person narrator to withhold the truth until the climactic moment is a neat trick, one handily accomplished mostly through Jun’s convincing voice, which Revoyr conveys in lucid, precise and period-appropriate prose.
Although the pace lags in sections—notably a cross-country train tour which seems to occur in real time—all in all this is a pulse-quickening, deliciously ironic serving of Hollywood noir.Pub Date: April 1, 2008
ISBN: 978-1-933354-46-0
Page Count: 320
Publisher: Akashic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2008
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
