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REBELS WITH A CAUSE

REIMAGINING BOYS, OURSELVES, AND OUR CULTURE

A thoughtful, well-informed look at contemporary boy culture and its many inherent problems.

The importance of nurturing connection in boys.

Way, a professor of developmental psychology and the author of Deep Secrets, draws on considerable research, including her own longitudinal studies into the lives of boys, to show how society’s construction of “boy culture” undermines their well-being. That culture, she writes, “is rooted in ideologies that intersect with one another, including but not limited to patriarchy, capitalism, white supremacy, antisemitism, and Islamophobia.” As boys grow up, they learn that “soft” qualities, such as “vulnerability, dependency, sensitivity, feeling,” are associated with the feminine, while “stoicism, independence, assertiveness, thinking” are considered male. The author shows how this insistent binary gets in the way of fulfilling friendships. The early- to mid-adolescent boys she studied valued friendships, which were characterized by trust and involved sharing secrets and problems. However, by late adolescence, holding onto or finding male friends became a struggle. Although boys know that friendships are crucial for their mental health, they are indoctrinated into believing that “it’s not ‘normal’ for boys to want or have such relationships,” and they learn that showing emotion is considered unmanly. Boys at this stage, writes the author, become increasingly isolated, depressed, and angry, in some cases leading them to suicide or even homicide. Way also demonstrates how the media abets these feelings of loneliness and disconnection. She suggests that “listening with curiosity” is a crucial first step to addressing the crisis of connection in all settings: the workplace, the classroom, and the home. “Nurturing our relational and emotional intelligence,” she writes, is “necessary to disrupt a culture that brings out the worst in us and makes us treat ourselves and one another poorly and sometimes even makes us kill ourselves and/or kill each other.”

A thoughtful, well-informed look at contemporary boy culture and its many inherent problems.

Pub Date: July 9, 2024

ISBN: 9780593184264

Page Count: 336

Publisher: Dutton

Review Posted Online: May 4, 2024

Kirkus Reviews Issue: June 1, 2024

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HOSTAGE

A dauntless, moving account of a kidnapping and the horrors that followed.

Enduring the unthinkable.

This memoir—the first by an Israeli taken captive by Hamas on October 7, 2023—chronicles the 491 days the author was held in Gaza. Confined to tunnels beneath war-ravaged streets, Sharabi was beaten, humiliated, and underfed. When he was finally released in February, he learned that Hamas had murdered his wife and two daughters. In the face of scarcely imaginable loss, Sharabi has crafted a potent record of his will to survive. The author’s ordeal began when Hamas fighters dragged him from his home, in a kibbutz near Gaza. Alongside others, he was held for months at a time in filthy subterranean spaces. He catalogs sensory assaults with novelistic specificity. Iron shackles grip his ankles. Broken toilets produce an “unbearable stink,” and “tiny white worms” swarm his toothbrush. He gets one meal a day, his “belly caving inward.” Desperate for more food, he stages a fainting episode, using a shaving razor to “slice a deep gash into my eyebrow.” Captors share their sweets while celebrating an Iranian missile attack on Israel. He and other hostages sneak fleeting pleasures, finding and downing an orange soda before a guard can seize it. Several times, Sharabi—51 when he was kidnapped—gives bracing pep talks to younger compatriots. The captives learn to control what they can, trading family stories and “lift[ing] water bottles like dumbbells.” Remarkably, there’s some levity. He and fellow hostages nickname one Hamas guard “the Triangle” because he’s shaped like a SpongeBob SquarePants character. The book’s closing scenes, in which Sharabi tries to console other hostages’ families while learning the worst about his own, are heartbreaking. His captors “are still human beings,” writes Sharabi, bravely modeling the forbearance that our leaders often lack.

A dauntless, moving account of a kidnapping and the horrors that followed.

Pub Date: Oct. 7, 2025

ISBN: 9780063489790

Page Count: 208

Publisher: Harper Influence/HarperCollins

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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DEAR NEW YORK

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Portraits in a post-pandemic world.

After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.

A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.

Pub Date: Oct. 7, 2025

ISBN: 9781250277589

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Aug. 1, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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