Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s...
Houston’s second novel (Sight Hound, 2005, etc.) combines thinly disguised travel essays with a new age romance as her heroine travels the world with one lover, then more or less settles down for another.
Narrator Pam is a California professor with a very flexible schedule, seemingly unlimited financial resources and an itch for roaming. Over 100 brief chapters follow her to various exotic locations, from Alaska to Bhutan to Patagonia to Tunisia, to name just a few—after a while the places begin to run together—where she gets to know the locals, enjoys the local food and usually has a lively adventure or inner awakening. Sometimes fearless, sometimes scared to death, the narrator (whose identity reads close to the author’s) doesn’t take herself too seriously during these quests, which often include near-death experiences, and she skillfully captures the essence of each place she visits. The descriptions of her plane rides, and aviation near-disasters, are often hilarious. But less humorous are the relationship issues Pam is working out as she approaches 50. She brags annoyingly about her many, many friends, including semi-famous literary ones, although none develop into actual characters—another case of names running together. But Pam’s romantic history is problematic. Her past includes a dead lover she idealizes. Her present, as the book opens, includes Ethan, a womanizing jerk whom women find incredibly desirable despite his lack of a discernable personality. After their drawn out breakup, she goes on a series of snidely described bad dates before she meets Rick, a “highbrow hick” with a Masters in philosophy and religion who makes custom wood flooring for a living. To Pam, he is the perfect mix of redneck and new age cowboy. The hitch is his 8-year-old daughter and his complicated connection to his ex-wife. Can Pam balance her need to explore the world with her desire for intimacy with homebound Rick?
Houston is a fine travel writer, but her characters are cardboard cutouts for every cliché of contemporary uplifting women’s fiction.Pub Date: Feb. 6, 2012
ISBN: 978-0-393-08265-4
Page Count: 320
Publisher: Norton
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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