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SEEING THE ELEPHANT

A STORY OF THE CIVIL WAR

In a tale loosely based on fact, a Pennsylvania lad’s attitude toward war is transformed when he sees some of its effects. Israel chafes at being left behind when his two big brothers march off “to see the elephant”—a contemporary metaphor for battle—and “teach the Rebels to behave.” Then one brother comes back with a wasted body and a once-sunny nature gone dark and angry after two bouts with typhoid. Later the enemy acquires a face when, after a brief meeting with President Lincoln, Izzy talks to a dying prisoner in a Washington hospital. Faces in Stark’s paintings are stiff, but his scenes are rich in period detail and capture the general look of both interiors and of streets crowded with soldiers. Interspersing his narrative with letters sent and received, Izzy clearly tracks his change of heart, and in the end fires off a missive to his brother back home announcing that he’s seen the elephant, “and he was the ugliest beast on this earth.” All the more effective for its restrained tone, this will leave readers with the insight that no side in a conflict has a lock on right or wrong. (afterword) (Picture book. 8-10)

Pub Date: Oct. 9, 2007

ISBN: 978-0-374-38024-3

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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THE LEMONADE WAR

From the Lemonade War series , Vol. 1

Told from the point of view of two warring siblings, this could have been an engaging first chapter book. Unfortunately, the length makes it less likely to appeal to the intended audience. Jessie and Evan are usually good friends as well as sister and brother. But the news that bright Jessie will be skipping a grade to join Evan’s fourth-grade class creates tension. Evan believes himself to be less than clever; Jessie’s emotional maturity doesn’t quite measure up to her intelligence. Rivalry and misunderstandings grow as the two compete to earn the most money in the waning days of summer. The plot rolls along smoothly and readers will be able to both follow the action and feel superior to both main characters as their motivations and misconceptions are clearly displayed. Indeed, a bit more subtlety in characterization might have strengthened the book’s appeal. The final resolution is not entirely believable, but the emphasis on cooperation and understanding is clear. Earnest and potentially successful, but just misses the mark. (Fiction. 8-10)

Pub Date: April 23, 2007

ISBN: 0-618-75043-6

Page Count: 192

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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STANLEY, FLAT AGAIN!

Flattened once more, this time not by a falling bulletin board but a double blow to his elusive “Osteal Balance Point”—or so says family GP Dr. Dan—Stanley Lambchop gets two more chances to play the hero before popping back into shape. First he becomes a human spinnaker in a sailboat race, then he worms his way through the wreckage of a collapsed building to rescue ever-rude classmate Emma Weeks. Alluding to previous episodes, Stanley complains, “Why me? Why am I always getting flat, or invisible, or something?” Mr. Lambchop replies, “But things often happen without there seeming to be a reason, and then something else happens, and suddenly the first thing seems to have had a purpose after all.” Perhaps—even if that purpose is just to tread water, as Brown does here. Still, with its cartoon illustrations, well-leaded text and general goofiness, this retread is as likely to draw transitional readers as the perennial favorite Flat Stanley (1964) and its sequels. (Fiction. 8-10)

Pub Date: March 1, 2003

ISBN: 0-06-009551-2

Page Count: 96

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2003

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