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ANYTHING YOUR LITTLE HEART DESIRES

Amid the current flood of dysfunctional-family memoirs, this one by biographer Bosworth (Diane Arbus, 1984, etc.) stands out for its lack of self-pity and its magnetic central figure, her father, Bartley Crum—a habituÇ in the realms of celebrity and power who was finally destroyed by personal weakness and devotion to principle. With their talent, elegance, and glamour, Bart and wife, Anna Gertrude Bosworth (known as ``Cutsie''), a former San Francisco reporter and novelist, must have resembled Dick and Nicole Diver to their friends. Approaching life with ``supreme self-confidence and an attitude of entitlement,'' Bart used his connections as a prominent San Francisco lawyer to gain entrÇe to Hollywood and Washington. Patricia and her brother, Bart Jr., grew up near the glow of celebrity, with visitors such as Montgomery Clift, Rita Hayworth (whom Bart represented in her divorce from Aly Kahn), and Wendell Willkie (whom Bart advised in the 1940 presidential campaign). Yet their father continually passed in and out on either business trips or one of his perpetual political crusades; a dismayed Cutsie retreated into sullenness and affairs. Then, when Bart denounced the House Un-American Activities Committee as an attorney for two members of the blacklisted ``Hollywood Ten,'' he was trailed by the FBI. Family troubles followed: insolvency, Bart's worsening addiction to alcohol and pills, Patricia's marital difficulties, Bart Jr.'s troubled youth and suicide, and, in 1959, after a disastrous appearance before the Senate Rackets Committee investigating Jimmy Hoffa, Bart Sr.'s own appointment in Samarra. In the aftermath, using her mother's diaries, interviews with colleagues, and her father's FBI dossier, Bosworth had to square her ``fantasy image of Daddy as Superman'' with the reality of a decent man forced to inform secretly to the FBI. An unflinchingly honest depiction of a family undone by the whirlwind revolving around an ebullient, compassionate man who was also a weak husband and father.

Pub Date: April 1, 1997

ISBN: 0-684-80809-9

Page Count: 416

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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