This splendid “jump story” is not for the faint of heart, but readers who relish edge-of-the-seat suspense done impeccably...
Storyteller McKissack crafts a spine-tingling tale set during colonial times about a greedy man who just may get the scare of his life.
The author captivates from the start. John Leep “had a mean streak in him that ran the length of his long, thin body. Wasn’t poverty that made him hard. He had plenty of money. But John Leep had a stingy heart.” So he sets off on his horse to evict the widow Mayes. As they travel, the horse’s hooves make a steady “clip-clop.” Periodically, Leep pauses, believing he hears another horse and rider following him. Velasquez wisely keeps the focus on John Leep’s face. As John goes further away from town, the scenes begin to envelop him in shadow. His arrogant countenance slowly transforms, first showing annoyance, then worry and then fear. He plays a trick to cheat the widow, but something is listening. On his ride home, he goes faster and faster, and the sounds of the mysterious rider keep pace, frenzied, onomatopoeic hoofbeats punctuating the text: “Clippitycloppityclippitycloppity….” He makes it home, but he is never seen again. Some say “Ol’ Clip-Clop… / …SWALLOWED HIM WHOLE!!!!!!!” And on the last, page, the illustrator paints a most horrifying specter poised to do just that.
This splendid “jump story” is not for the faint of heart, but readers who relish edge-of-the-seat suspense done impeccably will be well-satisfied. (Picture book. 6-10)Pub Date: Oct. 1, 2013
ISBN: 978-0-8234-2265-4
Page Count: 32
Publisher: Holiday House
Review Posted Online: July 16, 2013
Kirkus Reviews Issue: Aug. 1, 2013
BOOK REVIEW
BOOK REVIEW
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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