A novel weaves the tale of a centuries-old mystery and an unsuspecting young woman who may be the key to solving it.
This story centers on a 20-something woman named Isa, who’s living a carefree, partying life in Paris when she’s summoned by her mother, Victoria, who has news too momentous to be shared over the phone. And she isn’t exaggerating: in the novel’s earliest pages, she reveals that she’s not actually Isa’s mother: her sister Mara is—and there’s more. Mara has just recently awoken from the coma she’s been in for two decades but is still very weak, and Victoria thinks mother and daughter should meet before it’s too late. The author adroitly positions these present-day episodes with a series of scenes set in increasingly remote periods of the past. Readers meet a younger version of Mara, working in a lonely museum in Transylvania, plagued by her remembrance of the events surrounding the disappearance of her father, a renowned archaeologist, memories that hint at a stunning secret discovery he’d made. And parallel scenes unfold in 1389 Tuscany and involve a bishop named Giovanni de’ Marignolli, who seems to be two-thirds fraud and one-third amnesiac. The action of the main plot kicks into gear when Isa is attacked by a mysterious assailant in her mother’s hospital. The intervention of an affable stranger named Mark Zweifer saves Isa, and the two proceed to try to solve the puzzle of what secret from Mara’s past would prompt a hired killer to take an interest in anything she might have to say upon awakening from her coma. Mark and Isa’s quest uncovers a vivid, twisting tale of Renaissance treachery, tarot cards, and a potentially explosive historical revelation. Nedelea’s fiction debut approaches this familiar The Da Vinci Code pattern with great scene-setting vigor, a natural-feeling grasp of dramatic pacing, and some fractious chemistry between Isa and Mark that’s no less entertaining for being intensely predictable. At one point, Isa asks him: “Are you really a weirdo, or are you just pretending to be one?” The well-orchestrated climax pulls together all the various plotlines with an enjoyable degree of flair.
A complex, engrossing archaeological thriller with a plot stretching over many eras.
Pub Date: May 21, 2016
ISBN: N/A
Page Count: 409
Publisher: CreateSpace
Review Posted Online: July 7, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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