by Patrick Gale & Francis King & Tom Wakefield ‧ RELEASE DATE: July 1, 1994
Three novellas by three Brits reminding us that the most ordinary-seeming people may lead lives of private drama. Bovine Brenda, the middle-aged spinster in Wakefield's (Lot's Wife, not reviewed) ``The Other Way,'' leaves her linoleum kitchen for a Tunisian holiday after winning the grand prize in a contest she had entered with the hope of winning the consolation appliance. Dowdy-by-day book editor Mary is a silk-stockinged mistress whose freedom and established habits are disrupted by her magnate lover's marriage proposal in ``Caesar's Wife'' by Gale (Kansas in August, 1988, etc.). Both ladies, for whom routine is a comfortable shoe, react dramatically to their new circumstances. Brenda flees her garish tour group for the quiet companionship of an aging homosexual gentleman and, in an odd maelstrom between otherwise comedic and contemplative pages, has a shocking epiphany. Mary panics and, with the help of her lover's gay, wheelchair-bound son, Josh (who is her close friend), cooks up a wacky scheme so she can have her cake and eat it too. The theme of secrecy applies to gays (featured with varying prominence in each story) as well as to misunderstood women. Homosexuality is most directly dealt with in the title story by King (Punishments, 1990, etc.), in which Brian, a closeted barrister, dies of AIDS, fearing to the end rejection from friends, family, and his beleaguered Japanese lover, Osamu. All three novellas are humorous and moving, but Gale's glows with a subtle polish the others lack. He's overcome the heavy-handed polemicism of his longer fiction and focused on telling the story, a fluid and wry tale. ``People aren't what you think they are,'' remarks Brenda's narrow sister. Nor are books, as Secret Lives proves: At arm's length, it's hodgepodge; up close, intricate patterns emerge.
Pub Date: July 1, 1994
ISBN: 1-85242-215-7
Page Count: 256
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1994
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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