by Patrick Taylor ‧ RELEASE DATE: Oct. 21, 2014
With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.
Taylor (Fingal O’Reilly, Irish Doctor, 2013, etc.) reminds fans that even in the peaceable kingdom of County Antrim and County Down, good men shed blood when Hitler infected Europe.
Taylor moves back and forth between 1960s Northern Ireland and the wartime travails of 1939-40, with minor emergencies and mysterious illnesses at home and terrifying adventures at sea. In 1966, Dr. Fingal O’Reilly is married to his first love, Kitty, but the book’s passionate romance comes as Fingal recalls his wartime courtship of first wife Deirdre, a nurse midwife in training. Taylor’s gift is dialect (there’s a glossary)—“a shmall little minute to toast and butter the bramback”—and sentences end with “so” or “bye.” When the war starts, Fingal is assigned to the battleship HMS Warspite as medical officer. Covering Royal Navy battles at Westfjord in Norway and later in the Mediterranean off Italy, Taylor’s descriptive powers are as mighty as Warspite’s 15-inch naval rifles—“[h]e had to grab onto a handrail...the noise that surrounded him like an impenetrable wall and by its force seemed to be crushing his chest.” At Warspite’s new home port of Alexandria, Taylor offers a précis on the last days of the gin-and-tonic empire as world war washed over ancient Egypt. There, lonely Fingal is tempted with a love affair. As Warspite sails, characters step aboard, most compelling the medical detachment’s stalwart leader, Surgeon Cmdr. Wilcoxson, and Tom Laverty, ship’s navigator and father of Fingal’s future partner, each of whom support Fingal, wide-eyed country doctor, who shakily steps into operating theaters where emergency amputations and bloody trepanning are de rigueur. But Fingal's true domain is Ireland's green-drenched landscape, “coarse marram grass hillocks that lay between the glen and the shingly shore," with familiar Ballybucklebo characters like young partner Barry, medical student Jenny, and his newly married housekeeper, Kinky.
With humor and pithy human insights, Taylor continues pleasing readers with the escapades of Dr. Fingal Flahertie O’Reilly.Pub Date: Oct. 21, 2014
ISBN: 978-0-7653-3836-5
Page Count: 416
Publisher: Forge
Review Posted Online: Aug. 25, 2014
Kirkus Reviews Issue: Sept. 15, 2014
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by Claire Lombardo ‧ RELEASE DATE: June 25, 2019
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
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SEEN & HEARD
by Lisa Jewell ‧ RELEASE DATE: April 24, 2018
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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