A splendid view of Papa and his beloved boat Pilar.
“You know you love the sea and would not be anywhere else,” wrote Ernest Hemingway in Islands in the Stream. In 1934, already the “reigning monarch of American literature” for The Sun Also Rises and A Farewell to Arms, he bought a 38-foot motorized fishing vessel at a Brooklyn boatyard and set out for the Caribbean. “Mr. H. is like a wild thing with his boat,” wrote Pauline, his second wife. An integral part of his final 27 years, Pilar offered afternoons of solace on waters between Key West and Cuba, during which Hemingway fished, drank, wrote, bickered with wives and sons and entertained visitors. A former Washington Post feature writer and winner of a National Book Critics Circle award, Hendrickson (Nonfiction Writing/Univ. of Pennsylvania; Sons of Mississippi: A Story of Race and Its Legacy, 2003, etc.) offers a moving, highly evocative account of Hemingway’s turbulent later years, when he lost the favor of critics, the love of wives and friends and, ultimately, his ability to write. Drawing on interviews, documents (including 34 Pilar logs) and secondary sources, the author succeeds in restoring a sense of Hemingway the man, seen as a flawed, self-sabotaging individual whose kindness and gentleness have been overlooked in accounts of his cruel and boorish side. Even as he attacked critics and fired his shotgun angrily at sea birds, the tortured author proved remarkably sweet and friendly to many, including Arnold Samuelson, an admiring young writer who became Hemingway’s assistant on Pilar; and Walter Houk, now in his 80s, who remembers the author fondly as “a great man with great faults.” Seven years in the making, this vivid portrait allows us to see Hemingway on the Pilar once again, standing on the flying bridge and guiding her out of the harbor at sunrise. Appearing on the 50th anniversary of Hemingway’s death, this beautifully written, nuanced meditation deserves a wide audience.
Pub Date: Sept. 23, 2011
ISBN: 978-1-4000-4162-6
Page Count: 560
Publisher: Knopf
Review Posted Online: July 26, 2011
Kirkus Reviews Issue: Aug. 15, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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