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INVENTING WINE

Name: INVENTING WINE
Author: Paul Lukacs
ISBN: 978-0-393-06452-0

A NEW HISTORY OF ONE OF THE WORLD'S MOST ANCIENT PLEASURES

by Paul Lukacs ‧ RELEASE DATE: Dec. 3, 2012

A richly readable and authoritative addition to the literature of wine.

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Noted American oenophile Lukacs (English/Loyola Univ. Maryland; The Great Wines of America: The Top Forty Vintners, Vineyards, and Vintages, 2005, etc.) tells the story of wine over eight millenniums and around the globe.

This encyclopedic history arrives in what the author calls the great golden age of wine, with its popularity skyrocketing and quality unmatched. But it was not always so, a thesis that motivated Lukacs to track the dramatic changes that have shaped wine production and consumption over time. He begins in the ancient world, where wine played a role in religious rites but soured quickly and tasted “dense and unctuous.” The secularization of wine in the Christian era and nutritional benefits in the Middle Ages (when it was safer to drink than water) made vin ordinaire widely popular, though it was still adulterated with additives and generally sour. Wine competed with beer and distilled spirits until the advent of the content-stabilizing glass bottle and vin fin from heralded viticulture regions like Burgundy and Bordeaux. A first, brief golden age followed in the mid 19th century with the rise of the wine-drinking bourgeoisie and fabled terroirs. However, vine disease and two world wars emptied cellars and left barren a quarter of the vineyards in France alone. Wine’s gradual rebirth brought the introduction of appellation controls, new viticulture regions like Australia and California, and stylistic innovations emphasizing grape type over terroir. Themes of interest to oenophiles, from wine’s longtime disrepute in North America to England’s love affair with Bordeaux, and fascinating details—for instance, the unearthing of 26 casks of wine in King Tut’s tomb—heighten the pleasure of this engrossing narrative.

A richly readable and authoritative addition to the literature of wine.

Pub Date: Dec. 3, 2012

ISBN: 978-0-393-06452-0

Page Count: 400

Publisher: Norton

Review Posted Online: Sept. 22, 2012

Kirkus Reviews Issue: Oct. 15, 2012

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.