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WALLS OF THE UNIVERSE

Well executed but all too familiar, with a late plot twist suggesting it will mutate into an interworld hunter-killer...

Alternate-worlds jaunt from the author of Singularity’s Ring (2008).

Uncomplicated Ohio farm boy John Rayburn's goal is to study physics at college—until another John Rayburn shows up. John's rather battered-looking double explains that he carries a device that allows him to travel between alternate universes. The double—Prime—shows John designs for some moneymaking devices (like Rubik's Cube) that don't exist in John's world. The travel device seems simple enough to operate, and John agrees to try it. Bingo! The device works, but with one fatal flaw—John can't return home. Prime, obviously, knew the device was broken and conned John in order to steal his life. After various adventures in other worlds, John decides to settle down in an acceptable world and learn physics, with the eventual goal of repairing the device. Meanwhile, Prime runs into difficulties: he marries the girl of his dreams, Casey Nicholson, after getting her pregnant, while his plan to sell millions of “Rayburn's Cubes” runs into legal problems, and Ted Carson, the local bully, causes trouble. In his new home, meanwhile, John studies physics, enjoys an on-again, off-again relationship with alternate Casey, steers clear of another Ted—and almost against his will, finds that he's “invented” pinball, which is unknown there. John's variation of the game proves a big hit, but attracts attention from a ruthless community of exiled travelers, who also make money by introducing unknown technology—and will stop at nothing to obtain a device to enable them to return home.

Well executed but all too familiar, with a late plot twist suggesting it will mutate into an interworld hunter-killer series. Your move.

Pub Date: Feb. 1, 2009

ISBN: 978-0-7653-1997-5

Page Count: 384

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2008

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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