Is it a spoiler to say there are no limits? At least not to Rudnick’s ability to brilliantly elegize and entertain.
A gay love story for the ages from one of the great comic voices of his generation.
Known for his plays; screenplays; adult and YA novels; and film criticism written under the pseudonym Libby Gelman-Waxner, Rudnick is famously unable to write a single sentence that isn't funny. His latest work, a novel tracing a gay love affair from the 1970s to the near present, features a narrator very close to the author. Nate Reminger, a gay Jewish kid from Piscataway, New Jersey, goes to Yale, writes a play about AIDS (in real life, Rudnick’s Jeffrey) and a movie about nuns (in real life, Sister Act), and bears witness to the devastation wreaked by AIDS on his generation. As Rudnick puts it in the acknowledgments, “This book was written after I’d lived a good long time, and wanted to at least begin to make sense of things.” He also makes clear that the title character, Farrell Covington, is a creation of his imagination, based on a fleeting encounter on a train many years ago. And what a creation he is. Scion of the third richest family in America, his voice is “maddeningly but somehow naturally affected, as if the person had been raised by a bottle of good whiskey and a crystal chandelier.” His “lush, dewy handsomeness” is such that it disconcerts “everyone, even himself.” And yet, soon enough, he appears in Nate’s dorm room, making an announcement: “We’re about to sodomize one another….Does anyone have a manual, or perhaps a brief educational film, with puppets, to help us go about this?” Magic ensues. But just when Nate is getting used to living in la-la land as Farrell’s consort, the evil and deeply homophobic Covington paterfamilias appears from Wichita to shatter his bliss. This is not the end of the relationship but the beginning of the war, as every possible opponent to gay conjugal happiness takes its turn with the couple over a 50-year swath of the American cultural landscape.
Is it a spoiler to say there are no limits? At least not to Rudnick’s ability to brilliantly elegize and entertain.Pub Date: June 6, 2023
ISBN: 9781668004678
Page Count: 368
Publisher: Atria
Review Posted Online: April 11, 2023
Kirkus Reviews Issue: May 1, 2023
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: yesterday
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