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PAUL THURLBY'S WILDLIFE

Wordplay, visual jokes and strong design combine to create another winner for Thurlby—and readers.

Fans of Thurlby’s recent distinguished entry on the crowded alphabet-book shelves (Paul Thurlby’s Alphabet, 2011) won’t be disappointed by this clever follow-up.

Deceptively simple at first glance—or even first reading—this collection of short phrases paired with bold illustrations and basic facts rewards close examination. From the striped tiger on the cover, peering at potential readers through binoculars, through single-page portraits of other animals—among them a partially green polar bear, Travolta-esque bee (circa Saturday Night Fever), and wary dolphin—and finally to an inquisitive little boy, Thurlby packs the pages with humor. The bee, like all the other illustrations, is accompanied by two captions: “Express yourself” and “Bees talk to one another by dancing in patterns.” The first appears on the picture and in most cases is a familiar phrase, whether transcribed exactly, in pun form or created using homonyms. The second offers a bit of information about the animal pictured as well as providing the inspiration for the artwork. Digitally created, the pictures incorporate elements of painting, collage and printmaking and in some cases include (almost) hidden words or images. Visual jokes, such as a shovel-bodied mole, a nearsighted rabbit’s ears (which look like glasses) and a sunbathing goldfish, further enrich the fun.

Wordplay, visual jokes and strong design combine to create another winner for Thurlby—and readers. (Picture book. 5-9)

Pub Date: March 12, 2013

ISBN: 978-0-7636-6563-0

Page Count: 32

Publisher: Templar/Candlewick

Review Posted Online: Jan. 15, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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