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TERRESTRIALS

As usual, West (Sporting With Amaryllis, 1996, etc.) offers erudite commentary and provocative insights into the human predicament, this time in a tale told by an extraterrestrial about two American pilots bound by friendship and history. West's novice novelist, One Eighth Humbly—who writes the novel one reads here—is a kind of extraterrestrial Gulliver who describes a world quite unlike his own, and in doing so implicitly tries to understand life on his own star as well as on Earth. Like earthlings, he looks for, but doesn't find, proof of an almighty being's existence amid the enormous amount of information he and fellow aliens have assembled. But the story he tells of Clegg and Booth, American military pilots, does afford him a chance to observe humans—intelligent beings for the most part—as they try to understand themselves and the situations that confront them. The novelist doesn't quite get how everything works on earth—the notion of seasons confuses him, his pilots are preternaturally literary—but he gets better as the story picks up momentum. As they fly their high altitude spy-plane Cyrano on its daily sweep above the earth, Clegg and his superior officer, Booth, develop a symbiotic relationship based on flying and on Clegg's fascination with what makes Booth tick. When Cyrano is attacked over Africa, the two men parachute into the Ethiopian desert, where Clegg is caught on a rocky ledge and Booth falls in with a band of cruel salt-miners. As challenging as these experiences are, they're not as difficult as life after their rescue. Finding their debriefings increasingly incomprehensible, even threatening, the two escape, adopt new identities, and go into business as charter pilots. But freedom has its own challenges. Haunted by their heroic pasts, they discover, tragically, that they can't adjust to the prosaic realities of their lives. A splendid assembly of ideas, language, and allusions, though sometimes the sheer intellectual exuberance overwhelms the story, however conceptually brilliant.

Pub Date: Sept. 17, 1997

ISBN: 0-684-80032-2

Page Count: 384

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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