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THE TENT OF ORANGE MIST

Veteran writer West (Tenement of Clay, 1992; A Stroke of Genius, 1995; etc.) returns, this time focusing on the knife-edge relationship of a Chinese daughter and her father with a Japanese whoremaster. Beginning with the Japanese capture of Nanking in 1937, West examines the delicateand inevitably compromisedrelationship that develops between conquerors and conquered as he tells the story of Scald Ibis; her father, Hong; and Hayashi, the invading colonel who controls their fate. When the Japanese soldiers trash her family's villa, the 16-year-old Scald Ibis is raped by Hayashi and his superior officer. As artist and intellectual, she finds it difficult to reconcile her past with the presentshe'd been taught by her father, an internationally famous scholar and calligrapher now off at war, that ``home life was a life of art.'' But for all her delicacy, Scald Ibis endureseven as Hayashi transforms the villa into a high-class bordello, the ``Tent Of Orange Mist,'' catering to the most depraved and jaded of sexual appetites. While Hayashi, enjoying his new responsibility, imagines receiving prestigious medals for his efforts, Scald Ibis's survival is paradoxically assured: Now that she's in a ``conduct zone devoid of codes...[where] even ethics had become merely decorative,'' she accepts Hayashi's plan to turn her into a geisha. As she adjusts to her new situation, however, Hong appears and uses his linguistic skills to become Hayashi's interpreter. For a few months, the trio exist in a carefully calibrated association, but when Hong finds out what services Scald Ibis must perform, he kills Hayashi, and is, of course, killed in turn. Only Scald Ibis survives, living to sue the Japanese government 55 years later. A terrible tale, vividly told, marred only by West's intrusive intellectual riffs and asides that have the effect of trivializing the unadorned truth.

Pub Date: Sept. 1, 1995

ISBN: 0-684-80031-4

Page Count: 288

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1995

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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