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CHILD OF THE CIVIL RIGHTS MOVEMENT

Name: CHILD OF THE CIVIL RIGHTS MOVEMENT
Author: Paula Young Shelton
ISBN: 978-0-375-84314-3

by Paula Young Shelton & illustrated by Raúl Colón ‧ RELEASE DATE: Dec. 22, 2009

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Civil rights can be a difficult topic, even for adults, so finding simple language to explain the complexity of injustice and oppression to children is challenging. Shelton, daughter of Andrew Young, accepts the challenge and rises to meet it, approaching the topic from the point of view of the child she was in the ’60s: a four-year-old girl living in the midst of the leaders who helped change the nation. While the linked free-verse poems appropriately omit potentially confusing information, they introduce readers to her parents’ friends—activists such as Martin Luther King Jr., Dorothy Cotton and Ralph Abernathy. The author’s language can pack a punch, as when she describes her parents’ moving the family from New York “back to Georgia, / back to Jim Crow, / where whites could / but blacks could not.” Colón’s illustrations are exceptional in their use of color and texture to convey emotions and situations. Thumbnail biographies of the leaders introduced demonstrate that their activism did not end after the Voting Rights Act, which concludes this account. Essential. (bibliography) (Picture book/memoir. 4-9)

Pub Date: Dec. 22, 2009

ISBN: 978-0-375-84314-3

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2009

Categories:

CHILDREN'S FAMILY | CHILDREN'S HISTORY

- BOOK REVIEW
JUST LIKE JESSE OWENS
by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James

- PERSPECTIVES
The Picture Books That Captured a Movement

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HANSEL AND GRETEL

by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025

Menacing and most likely to appeal to established fans of its co-creators.

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Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.

In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.

Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)

Pub Date: Sept. 2, 2025

ISBN: 9780062644695

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 15, 2025

Categories:

CHILDREN'S FAMILY

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ELEANOR

by Barbara Cooney & illustrated by Barbara Cooney ‧ RELEASE DATE: Oct. 1, 1996

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"From the beginning the baby was a disappointment to her mother," Cooney (The Story of Christmas, 1995, etc.) begins in this biography of Eleanor Roosevelt. She is a plain child, timid and serious; it is clear that only a few people loved her. After her parents die, she is cared for in the luxurious homes of wealthy relatives, but does not find acceptance until she arrives in a British boarding school, where she thrives on the attention of the headmistress, who guides, teaches, and inspires her. Cooney does not gloss over the girl's misery and disappointments; she also shows the rare happy times and sows the seeds of Eleanor's future work. The illustrations of house interiors often depict Eleanor as an isolated, lonely figure, her indistinct face and hollow eyes watching from a distance the human interactions she does not yet enjoy. Paintings reveal the action of a steamship collision; the hectic activity of a park full of children and their governesses; a night full of stars portending the girl's luminous future. The image of plain Eleanor being fitted with her first beautiful dress is an indelible one. Readers will be moved by the unfairness of her early life and rejoice when she finds her place in the world. An author's note supplies other relevant information. (Picture book/biography. 5-9)