Using contemporary newspaper clippings and headlines as well as photographs that capture vivid historical moments, Colman offers an overview of a subject too often neglected in children’s biography. These are the valiant and defiant women writers and photographers who ignored slights, harassment, and—sometimes direct—orders, to get to the front and do their jobs. Martha Gellhorn covered the Spanish Civil War before her work in WWII, her writing better known than that of her husband, Ernest Hemingway. “I was a great frequenter of hospitals,” she wrote, “because that is where you see what war really costs.” Lee Carson, forbidden to cover D-Day because of her gender, did so anyway, and her dispatch was perhaps the first. Dickey Chapelle took photographs at Iwo Jima, thinking the buzzing sounds about her were insects—they were bullets, and she was under fire. Chapelle died stepping on a land mine in Vietnam in 1965. Margaret Bourke-White photographed the living and the dead at the concentration camp at Buchenwald. Colman covers 18 women; the only place she falters is in the coda that explains what happened to each woman after the war. Death dates and more information would have been welcome. The light of Colman’s bright prose brings these women to the front once again, and young readers and researchers will be astonished and delighted at their bravery. (bibliography, photo credits, index, not seen) (Nonfiction. 10-14)
Pub Date: Feb. 1, 2001
ISBN: 0-517-80075-6
Page Count: 128
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2001
Deftly written and informative; a call for vigilance and equality.
An examination of the history of Chinese American experiences.
Blackburn opens with a note to readers about growing up feeling invisible as a multicultural, biracial Chinese American. She notes the tremendous diversity of Chinese American history and writes that this book is a starting point for learning more. The evenly paced narrative starts with the earliest recorded arrival of the Chinese in America in 1834. A teenage girl, whose real name is unknown, arrived in New York Harbor with the Carnes brothers, merchants who imported Chinese goods and put her on display “like an animal in a circus.” The author then examines shifting laws, U.S. and global political and economic climates, and changing societal attitudes. The book introduces the highlighted people—including Yee Ah Tye, Wong Kim Ark, Mabel Ping-Hua Lee, and Vincent Chen—in relation to lawsuits or other transformative events; they also stand as examples for explaining concepts such as racial hierarchy and the model minority myth. Maps, photos, and documents are interspersed throughout. Chapters close with questions that encourage readers to think critically about systems of oppression, actively engage with the material, and draw connections to their own lives. Although the book covers a wide span of history, from the Gold Rush to the rise in anti-Asian hate during the Covid-19 pandemic, it thoroughly explains the various events. Blackburn doesn’t shy away from describing terrible setbacks, but she balances them with examples of solidarity and progress.
Deftly written and informative; a call for vigilance and equality. (resources, bibliography, image credits) (Nonfiction. 10-14)Pub Date: March 26, 2024
ISBN: 9780593567630
Page Count: 288
Publisher: Crown
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
A beautiful, powerful reflection on a tragic history.
In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima.
When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.
A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)Pub Date: April 7, 2020
ISBN: 978-0-358-12940-0
Page Count: 80
Publisher: HMH Books
Review Posted Online: Jan. 11, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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