Pretty and sweet—but the point? (Picture book. 4-8)
Sadie’s frustration in trying to paint pictures leads her to recognize other means of artistic expression.
“More than anything, Sadie wanted to be an artist.” This initial, black-inked statement is set against a white background. Sadie’s hands are busy repotting seedlings, while a pastel thought bubble shows Sadie imagining herself creating art on paper. On the next few pages, she is shown painting with a paintbrush, creating desserts, and studying plants outside with a magnifying glass. The text notes that, among other painterly qualities, Sadie “loved playing with colour.” Enter Tom, about 10, Sadie’s best friend, whose painted artwork makes Sadie’s heart smile. Sadie’s admiration of Tom’s paintings makes her further determined to be an artist. After several failed attempts at painting—including such juicy terms as “splattered and splodged” and a physical mishap that adds some humor—Sadie has her epiphany. The appealing watercolors are extremely skilled, depicting both children with pale skin and including a charming guinea pig, often in Sadie’s arms. The children’s friendship is nicely described. However, the apparent message of the story—abandoning something that exhibits any incompetence and finding one’s true creative outlet—is an odd one in a text written for an age group encouraged to explore and practice.
Pretty and sweet—but the point? (Picture book. 4-8)Pub Date: March 1, 2018
ISBN: 978-1-925335-59-0
Page Count: 32
Publisher: EK Books
Review Posted Online: Feb. 2, 2018
Kirkus Reviews Issue: Feb. 15, 2018
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
BOOK REVIEW
BOOK REVIEW
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