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ALMOST A CRIME

Vincenzi’s fatally bloated novel nods to the sweet daddy-daughter partnership, and neatly compartmentalizes the guilt...

A London charity czarina and her fabulous lobbyist husband run aground over the shallows of marital infidelity in this latest from British novelist Vincenzi (No Angel, 2003, etc.).

Octavia Fleming is the kind of fashionable, well-connected working mother who manages both to enrich her power marriage with social contacts and to return home intact to tuck in her school-age twins and her baby. “Combine and Rule” is how the glossies treat the Flemings’ marriage, although Octavia finds her professional integrity in danger of compromise when public-affairs consultant Tom Fleming suggests she throw her sensitive charity know-how into helping a developer construct a community center. Meanwhile, Octavia’s businessman father, Felix Miller, detests Tom for taking his only daughter away from him (her mother died in childbirth), but tosses the son-in-law business from time to time; aging Felix has a longtime society live-in girlfriend, Marianne, who has to shuffle two teenaged daughters, Romilly and Zoë, as well as appease her temperamental lover. There is a cast of thousands in this busy, tedious novel, and once Octavia finds evidence of Tom’s affair, she reveals as much to her father. Plus, she has to deal with the news that the mother of her best friend from college, Louise, is sick with cancer, while Tom seems to be pounding away at easing a proposed merger of charming player Nico Cadogan’s financial group. Even politicians make a timely cameo here, in the form of Gabriel Bingham, a Labour leader who is also extremely attracted to the bereft Octavia. Yet Octavia simply can’t resist loving her sexy husband. As for the prospect of being a stay-at-home mom: It would have left the restless, questing, ambitious Octavia “bored, depressed, and therefore, and inevitably, a bad mother.”

Vincenzi’s fatally bloated novel nods to the sweet daddy-daughter partnership, and neatly compartmentalizes the guilt working women feel for leaving their children at home with nannies.

Pub Date: Nov. 2, 2006

ISBN: 1-58567-852-X

Page Count: 627

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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