Underplotted, and a bit redundant. Otherwise, a powerful and promising debut from a diligent writer who looks like the Far...
A wistful, moving first novel from the Montana storywriter (Dry Rain, 1997; Blood Knot, 1998, etc.) concentrates with sometimes riveting, sometimes labored intensity on the troubled loving relationship between a brother and sister growing up, and apart from their parents, in a West Texas backwater.
Fifteen-year-old Austin Scheer is a gifted baseball pitcher destined to become “the next Nolan Ryan,” according to his older sister Abilene, a college dropout who was herself the real “fireballer” (and, being female, a Little League reject) and is Austin’s self-appointed “coach” and taskmaster. Austin tells the story of Abilene’s on-again, off-again relationship with their family, though he stubbornly rejects accumulating evidence that her sudden departures and irrational seizures of violence and bizarre behavior (which culminate in an unneeded surgical procedure and a near-successful suicide attempt) demonstrate a by-now diagnosed bipolar disorder. Fromm balances this skewed perspective on Abilene’s travail against Austin’s immediate (if as quickly truncated) success as the bellwether of his high-school team (a “near no-hitter” in his first start), and the frustrated efforts of their long-suffering father Clayton (himself a onetime baseball phenom) and embittered mother Ruby to reconcile “how all this started”—the mantra with which Clayton’s interminable family stories inevitably begin—with the havoc the unpredictable Abilene continues wreaking. There’s a lot to like in this suspenseful if claustrophobic tale (excepting the vividly depicted four principals, other characters are sketchy shadows): a brooding, doom-laden atmosphere; a subtly handled undercurrent of sexual attraction and fear between brother and sister; and especially the extended dénouement, in which Abilene essentially blesses her adoring, grieving sibling by releasing him (“You’ve spent your whole life trying to be like me, Austin. And now I take pills to be somebody else”).
Underplotted, and a bit redundant. Otherwise, a powerful and promising debut from a diligent writer who looks like the Far West’s answer to Alabama’s Larry Brown.Pub Date: Oct. 1, 2000
ISBN: 0-312-20933-9
Page Count: 320
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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