Hautman goes head-to-head against Carl Hiassen’s Lucky You with his own hilarious take on the larcenous lemmings that swarm around a lottery winner. Why shouldn’t sweet, tough, innocent Barbaraannette Quinn, the second-grade teacher who for years has been playing permutations of her relatives’ birthdays in Powerball, rake in an $8.9 million windfall? And why shouldn’t she impulsively decide, confronted by TV cameras outside the lottery office, to offer a million-dollar reward for the return of her husband Bobby? After all, Bobby’s not exactly estranged, he’s just been AWOL for six years. And now, living as boot salesman Bobby Steele with voluptuous, good-natured Phlox Anderson in Tucson, he gets wind of his wife’s offer within seconds and decides to turn himself in for the reward, figuring he’ll put off worrying about what he’s going to do about the women in his life till after he’s got the greenbacks in his hand. But more pressing complications ensue. Reaching his hometown of Cold Rock, Minnesota, Bobby’s immediately spotted by ethereally beautiful, deeply sociopathic con man Jayjay Morrow, who’s happy to interrupt his routine of writing lying, cadging letters to celebrities and sponging off his latest admirer, the besotted Professor AndrÇ Gideon, to kidnap Bobby and hold him for ransom. Feisty Barbaraannette, the daughter of Hautman semi-regular Sam O’Gara (The Mortal Nuts, 1996, etc.), doesn’t take this development lying down. And neither does Phlox, or Barbaraannette-smitten bank officer Art Dobbleman, or those Henry High ex-football players Hugh Hulke and Rodney Gent. You can try to imagine what sorts of things happen next, though you’ll be two steps behind Hautman. If Hautman’s line-by-line writing is less joyously baroque than Hiassen’s—and it’s an awfully close race—his powers of invention and dexterity are even greater as he provides delightfully unexpected roles for Jayjay, Phlox, Gideon, and Barbaraannette’s senile mother Hilde Grabo.
Pub Date: March 1, 1999
ISBN: 0-684-83243-7
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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