The backgrounds to the illustrations in Catalanotto’s inspired alphabet book may remind readers of Mark Rothko’s paintings, but the portraits of the characters in the foregrounds of the bifurcated color fields are uniformly droll. Mrs. Tuttle’s kindergarten class has 25 students, all named Matthew, and most with jug ears and gap-toothed smiles. How does she tell them apart? Matthew A. is affectionate and Matthew B. is fond of Band-Aids. C. has a wild cowlick, and D. believes he’s a duck. On through the alphabet Catalanotto marches, sometimes looking for laughs, as with Matthew of the high pants, at other rare times a touch of the gross, as with Matthew of the leaks, where a trickle of mucus purls down his lip. Some highfalutin’ words are amiably insinuated—Matthew incognito and Matthew perplexed—while some of the visual interpretations are simply classic, like Matthew moody, who is both well-mannered (signaled by the raised pinkie of one hand holding a glass) and ill- (by sticking the thumb of the other into a cupcake). Matthew tense has a painful rictus that will have readers falling off their chairs laughing. When a new boy is introduced to the class—Matthew, of course—his pants and jacket are blazing with zippers. Just what the class needed. A stunning play of art and verbal imagination. (Picture book. 4-6)
Pub Date: June 1, 2002
ISBN: 0-689-84582-0
Page Count: 32
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
SEEN & HEARD
SEEN & HEARD
A series of rollicking riddles with unexpected answers. In the first spread, the picture on the left apparently shows a rabbit in silhouette while the short verse on the right provides the clues: “He steals carrots... / His floppy ears are long and funny. / Can you guess who? That’s right! My….” Turn the page for the answer: “Grandpa Ned.” (Ned’s upside-down, with socks half-pulled off to resemble rabbit ears.) Grandpa Ned turns up twice more, as the answer to a riddle that seems to be about a cat and later as the setup answer to another riddle. The book’s four other riddles involve a pirate, snow creatures, a mouse hole and a dark cave. A lifting flap and a gatefold add tactile interest. Rex’s straightforward gouache-and–mixed-media illustrations downplay the mischief of the premise, appropriately lobbing visual softballs at an audience disoriented by the goof on a tried-and-true formula they’ve encountered over and over. In all, it’s a refreshing (albeit slight) spoof for jaded young readers who have aced easy Q&A books; some may find it too cool for the room. (Picture book. 4-6)
Pub Date: Sept. 1, 2009
ISBN: 978-1-4169-5566-5
Page Count: 32
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2009
BOOK REVIEW
BOOK REVIEW
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