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INNOVATION AND ENTREPRENEURSHIP

PRACTICE AND PRINCIPLES

At a guess, Drucker's latest contribution to management literature will command appreciably less than half the attention being lavished on A Passion for Excellence (422). His substantive, systematic commentary is nonetheless superior to the trendier entry on both a comparative and stand-alone basis. Among other accomplishments, Drucker puts the evolution of executive arts in an accessible socioeconomic perspective. The worldwide panic of 1873, he observes, ended a century of laissez-faire and led to the modern welfare state, which 100 years later "had run its course," In the turbulent interim, he reports, the US work force has expanded by roughly 40 million. He attributes the net gain in jobs—achieved despite oil shocks, double-digit inflation, a few serious recessions, and a sharp contraction in smokestack industries' payrolls—to the innovative activities of entrepreneurs. In Drucker's book, true entrepreneurs (who can be found in the public and as private sectors) are a less than venturesome lot; although demonstrably intrepid, they seek to minimize risk in their efforts to adapt to and exploit change. Entrepreneurship, he argues persuasively, has more to do with behavior than personality. Its most productive manifestation is purposeful innovation—broadly defined as enchancement of "the wealth-producing potential of already existing resources." While Drucker does not altogether dismiss bioengineering or solid-state electronics, he points out that employment opportunities have been created mainly by low-tech firms that did not exist 20 years ago—restaurant chains, financial-services organizations, health-care concerns, et al. The next catalogues a wealth of commercial/institutional applications of the management principles Drucker is bent on advancing. He notes, for example, that notwithstanding the availability of conclusive demographic data, only a few universities were prepared for the boom-and-bust enrollment cycle that followed the decade-long surge in the domestic birth rate after WW II. Along similar lines, the author faults seemingly successful corporate pioneers that fail to protect market positions with regular price cuts. The Drucker agenda also features tax-reform and related public-policy proposals designed to ensure innovative entrepreneurs an operating environment conducive to continued achievement. In brief, then, a provocative prescriptive guide that takes the measure of the responsibilities of both management and society in a fast-changing marketplace.

Pub Date: June 5, 1985

ISBN: 0060913606

Page Count: 292

Publisher: Harper & Row

Review Posted Online: May 16, 2012

Kirkus Reviews Issue: May 15, 1985

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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